Would you like a camera that senses what you are photographing? A camera that knew how you felt when pressing the shutter? A camera that used all of this information to adjust the colours, tones, exposure and contrast to take account of your intentions and record a photograph that best invoked your feelings?
Nikon imagine that you will. Earlier this year they published a report based upon current life and social trends that predicts our future photography habits and needs.
‘As far as people continue to be emotional our aim or our goal is to help people to capture their emotional moments and support them from an image capturing perspective. There is no limit to capturing intuitive images.’ Tad Nakayama, Corporate Vice President of Nikon
Take a look at this imaginary camera screen display from Nikon. Notice how the camera ‘detects’ what the scene is of, including location and weather, the subjects in the scene, who the photographer is and how they are feeling (heart rate). Whilst I can imagine that some of this could be pre-programmed choices, much as we can currently choose the type of scene we are shooting and choose the relevant mode on our settings, other information (heart rate) indicates some form of personal monitoring.
I understand that Nikon are targeting the mass market with these predictions, not the enthusiasts and professionals, but I do find it all a little sad and that they are missing a fundamental truth.
Conveying emotion in a photo
The fundamental truth I feel Nikon are missing is that what we choose to photograph and how we choose to create that photograph is a melding of the intuitive and the learnt. These choices reflect our inner world (see post Inner world – outer photos). Those magic moments when what we have learnt and understand about our camera, its capabilities and limitations, are held so gently that we instinctively make choices in the moment that connect to a deeper place in our soul. This is the art of photography. The true magic.
This experience was beautifully described by Eugen Herigel in his book ‘Zen in the Art of Archery’, where we can imagine replacing the bow with a camera and the art of archery with the art of photography.
“Art becomes ‘artless’, shooting becomes not shooting……the teacher becomes pupil again, the Master a beginner, the end a beginning and the beginning perfection”
The header photo of this post was chosen as it represents how I was feeling when I created the photo. The beauty of this, is that whilst I had an intention in that process, you might see or feel something else. Our experiences and feelings associated with colour, shape, light etc may be similar, but they are also personal. So what I feel my photo conveys might be different to how it makes you feel. This feels like a gift to me. Each photograph offers the gift of opportunity. Opportunity to experience your feelings and that, my friend, is enough for me.
I believe that this concept is at the heart of mindful photography – photography that connects us to our feelings – and it is a key part of my online course, The Mindful Photographer. The third course in the series is titled Feeling and explores this terrain in detail. It considers how mindfulness can support us to connect with our feelings and then explores how photography can be used to represent our thoughts feelings and emotions.
If this sounds interesting you can find out more by enrolling on the FREE introduction course. You never know you may well be an intuitive expert by the time Nikon finally develop their magic camera!