Every week throughout the summer I will be posting a photography challenge that is designed to bring you into the present moment. They can be completed with any camera, even your phone. Your favourite photos are posted to our Facebook group, which is a public group so that you can invite your friends to join in.

This week’s mindful photography challenge is ‘Self’. I would like you to create just one NEW photograph that responds to the theme. But I only want you to press the shutter once. Consider your idea for a photo. Visualise it. Frame it. Think about your technical choices for exposure. Consider what is in and out of the frame. Consider your composition. Then release all expectation and press the shutter.

Notice your thoughts when reviewing your photo. Is there any judgement creeping in? Are you tempted to create another one? How would it feel if you just posted the one you have created?

Share your one photo here. This is mine which was created just now! I went to collect my camera from the lounge and caught sight of myself in the mirror. Generally when I create a selfie I do not have the camera clearly in sight. I thought I would create a photo that celebrated my relationship with the camera. Not only is my new camera front and foremost, but one of my favourite photos is in the background.

See what you can say about your ‘self’ in one photo

 

Friends tell me I have great focus. If there’s a task that I want to do then I will be attentive to the process and the outcome. Job done! You notice I said, “that I want to do”. If I don’t want to do it then I may procrastinate or be focused on methods of avoidance. Focus is a very useful attribute; though I have, through personal experience, learnt how it can slip in to striving beyond my natural abilities. 

As a mindfulness practitioner I am working on this awareness. The trick seems to be to pay attention to my body and mind. My body may provide physical symptoms of how my focus is slipping into unhelpful striving. These are usually easy to spot, but perhaps also easy to ignore. My mind however requires constant training.

Your mind, like mine, is constantly busy. Even when you are focused on a specific task, and imagine that you are pretty attuned to what you are doing, your mind will still play about. Slipping off into an imaginary conversation, wondering about how your work will be recognised, or simply replaying an incident from earlier in the day.

Meditation is the training that enables you to pay attention to your mind. Meditation burns the neural pathways that support our intention to be aware of our thoughts and feelings. This then percolates through our life, enabling a mindful approach. Focus requires mindfulness like trees require sunshine.

Focus in Photography

In the world of photography focus is usually a matter of how sharp your object or image is. However, I am attracted to using a de-focused lens. This enables a playfulness and a sense of possibility. It throws the need for identification of object out of the window and allows colour, shape, pattern and line to assume prominence. These then can suggest a feeling, or they can just be how you were in the moment and let the viewer interpret the vision you have created.

What is then created, can through your choice of visual elements, create a metaphor for a thing or feeling. Alternatively, the blurring of a familiar object may provide a sense of softness or delicacy that would not have been present if the object had been sharp.

If you are intrigued about this and would like to experiment then you need to do two things. Find out how to turn your auto-focus off (this is not always possible with all digital cameras or phones) and secondly get out there and experiment. Inspiration is also at hand. One of my favourite modern photographers who works like this is Isabella Berr. Take a look and take a chance!

Every week throughout the summer I will be posting a photography challenge that is designed to bring you into the present moment. They can be completed with any camera, even your phone. Your favourite photos are posted to our Facebook group, which is a public group so that you can invite your friends to join in.

This week’s mindful photography challenge is ‘Through’. Take a walk somewhere you love and create just one photograph that responds to the theme.

The challenge is to only create one photo. To walk until something shouts out at you to be photographed.

Walk slowly and observe. Observe your surroundings, the colours, the light, patterns and shapes. Pay attention to your mind. When it shoots off thinking about creating the photo, reflecting on a past event or worrying about the future, come back to what is in front of you.

Share your one photo here. This is mine which was created this morning. The sunlight shining through the leaves, highlighting the structure and shape of the leaves is what drew me in. I only had my phone with me, but that’s all you need!

 

“ In meditation we discover our inherent restlessness. Sometimes we get up and leave. Sometimes we sit there but our bodies wiggle and squirm and our minds go far away. This can be so uncomfortable that we feel it’s impossible to stay. Yet this feeling can teach us not just about ourselves but what it is to be human…we really don’t want to stay with the nakedness of our present experience. It goes against the grain to stay present. These are the times when only gentleness and a sense of humor can give us the strength to settle down…so whenever we wander off, we gently encourage ourselves to “stay” and settle down. Are we experiencing restlessness? Stay! Are fear and loathing out of control? Stay! Aching knees and throbbing back? Stay! What’s for lunch? Stay! I can’t stand this another minute! Stay!”

Pema Chödrön, The Places That Scare You: A Guide to Fearlessness in Difficult Times

Fear and Love

I was drawn to this quote in the final hours of the UK General Election. Anticipating an increased Conservative majority I imagined a challenging future of increased cuts to public services and more divisive peddling of fear. Then I remembered to stay present. Nothing is certain and sometimes the path to wisdom is through difficult lands. During these periods of fear arising I remember that I am alive. I tune in to my body, my breath, the rise and fall and I remember those I love.

Now, after the General Election result I note that not only is nothing certain, but that anything is possible. Authenticity, post Brexit anger and a mobilised younger generation have enabled a new possibility to emerge. The UK is still on a path through difficult lands but there is a new truth.

That’s all very well, but how about you? How do you respond to difficulty and fear arising? Pema reminds us in the quote above that gentleness and a sense of humour support you when fear and restlessness arise. Your initial desire to run away – that may manifest by leaving your seat, distracting yourself or imagining that things are different – arises and you first have but one thing to do. Stay! Stay with the difficulty. Notice it playing out in your mind and tune in to how you are in your body. It always helps to return to the breath. If your difficulty is physical, it will help to breath into the discomfort. Breathe in compassion for yourself and breathe out the discomfort or pain. Stay!

If it is fear arising – maybe that the difficulty is too much, that you do not know what to do next and you fear how you will be in the future – continue with the breathing, but breathe out love for another and breathe in compassion for your discomfort. Cultivate this feeling of love by bringing one person you love deeply to your mind. Imagine they are with you, holding you and breathe out your love for them.

Love is the most powerful antidote to fear – witness the One Love Manchester concert last week. Love will squeeze the fear from your mind and body. As the Beatles said, “All you need is love.”

‘All you need is love’ on Spotify

Love, love, love
Love, love, love
Love, love, love

There’s nothing you can do that can’t be done
Nothing you can sing that can’t be sung
Nothing you can say but you can learn how to play the game
It’s easy

Nothing you can make that can’t be made
No one you can save that can’t be saved
Nothing you can do but you can learn how to be you in time
It’s easy

All you need is love
All you need is love
All you need is love, love
Love is all you need

Love, love, love
Love, love, love……

A Mindful Photography Practice for living through difficulty

It’s got to be great!

There you are, setting out on a little activity. It could be a photography job. It might be a DIY task or a children’s birthday party. Whatever it is you will have at the front of your mind an idea of what the outcome will be: a storytelling photo, an effective shelf, a fantastic party. You have an attachment to the outcome.

“Nothing wrong with that” you say. “How else can I ensure success unless I work towards a great outcome?”

Perhaps what you are really saying is, “How else will I know that I am ok unless this activity turns out well?”

We look to our successes as evidence that we are great: fantastic photographers, nifty DIY experts or loving parents. Perhaps the focus of our attention should be elsewhere.

What if we were tuned in to the journey rather than the destination?

Step 1: Begin with kindness

We do give ourselves a hard time. Everything we do carries with it an assessment of how well we think we have done. We may also think about how much better we could do.

What if instead of focussing on this judgement, of a yet to happen outcome, we centred on the process we found ourselves in? What if we started with kindness towards ourselves?

Let’s cradle how we feel about each of the steps that make up the complete task. Looking at each step, let’s tune in to how each part might be. How difficult or easy. How much would be fun. How much might be tricky.

Let’s have some empathy for how these steps might make us feel. Let’s start with kindness for the journey.

Step 2: Loosening our attachment to the outcome

Once we develop some compassion for our feelings as we engage in the activity, we can begin to loosen our attachment to the outcome. By tuning into the whole process we encourage an awareness of how we will be along the way.

By practicing being totally present with every element of the activity we give credence to our feelings. We allow ourselves to be who we are. We begin to recognise that we are perfect in our imperfectness.

An ability to see that our attachment to the outcome is narrow can develop. Our understanding expands to know that every step along the way is an opportunity to flourish. In this fertile ground our capacity for non-judgement slowly rises.

Our ability to let go of our attachment to the outcome becomes possible.

Step 3: Sharing the merit

Instead of sharing the outcome, however we may judge that, we can now consider sharing the merits of the journey. Our capacity to see all of the experience as holistic life experience underpins our knowledge that we are OK. All this stuff is just life happening. Everything, the glory and the grime, has the capacity to expand our understanding of what it means to be human.

We may also want to share the outcome, but this now may just be another part of the process of self understanding. We may now be able to explain that although the outcome was not what we had hoped for that we wouldn’t have changed the experience ‘for the world.’

Loosening our hold on the outcome allows us to become more present with each element of the activity.

This is mindfulness in action.

“In the end, just three things matter:
How well we have lived
How well we have loved
How well we have learned to let go”
– Jack Kornfield

 

At the end of May I held my last Spring Mindful Photography Walkshop. We were once again lucky with the weather – three walkshops in wet Wales in a row with no rain! We had an interesting challenge set, but before that I shared tips on how to stay present and create fabulous photos.

The Challenge

The Wordy Challenge was a mini photomarathon. Five topics. Five Photos. 2.5 hours. In this challenge everyone has to create only five photos, in topic order and be back at the finishing point before the ending time. I split the topics into two sections, so that we did two in the first hour and then stopped for a cup of tea (refreshment is essential!). After a cuppa and a conversation about how it was going, we embarked on the last three topics, completing an hour and a half later.

Such a photography challenge is very focussing. It provides the opportunity to become very present in your environment, and aware of the thoughts and feelings that the task is allowing to arise. These in particular are interesting and will include concerns about your photos not being good enough, whether your ideas are creative enough and how well you can manage the time. Hopefully, you can also practice being attuned to how you are: your energy, the need to stop and reflect, and remaining present in one task before the next. All great practice for life!

Before we started I provided a short overview about some of the photography techniques that could be applied to create interesting and arresting photos. These included the Seven Elements of Visual Design (Shape, Form, Texture, Pattern, Colour, Line and Shape) and the four areas of photographic composition (Simplicity, Subject & Background, Balance -including the Rule of Thirds, and Point Of View).

Finally before releasing the photographers into the wilds of Brynmill I shared five tips to complete the challenge with great photos and feeling great. Here they are.

Five Tips

  1. Make sure you understand the timescale, photography requirements, locations, pick ups, final deadline
  2. Excitement at the beginning creates more ideas and photos. Tiredness makes you more decisive. Be decisive in the first half and then you’ll be more creative in the second half.
  3. Decide on each final photo as you go. Do not leave that until the end, you’ll be tired. Do each topic in turn. Complete and choose your favourite photo and then move on. This provides creative clarity.
  4. Use insider knowledge. Talk to locals. Ask for advice. However don’t let your knowledge or information about the city limit you seeing what is right in front of you.
  5. Choose a simple overarching theme to link the photos. Some use a prop to do this (like a mini lego figure who appears in every photo). Others use in camera processing e.g Black and White. Or choose a theme, like a colour or a technique – red or low/high point of view.

The Photos

The Five Topics in order were – Your Entry Number, Busy, Look, A Change is gonna come, and Beauty in the Mundane.

Here are our photos, you can choose the winner! If this idea inspires a curiosity about photomarathons take a look at my post 10 Tips to Survive a Photomarathon

Your Entry Number

Busy

Look

A Change is gonna come

Beauty in the mundane

I live in Wales. It rains a lot. Yesterday was a fine example. I woke to rain, walked the dog in a deluge and the rain continued until the next morning. Am I deterred from creating mindful photographs? Oh no. I am challenged to create some art that reflects the day and how I am with this glorious damp weather. So I will share with you my Mindful Photography Practice for a wet day. Maybe you’ll be inspired to create some of your own.

The Mindful Photography Practice

  1. Prepare yourself for wetness. It is imperative that you remain dry and comfortable. Put on your most effective wet weather clothes and shoes.
  2. Prepare your camera for wetness
    • If you are a DSLR or CSC owner you may be able purchase a waterproof cover designed for your camera. Alternatively a good plastic bag and a rubber band works well. You will need to cut one corner of the bottom of the bag, about the diameter of the lens and secure it over the lens with the rubber band. The open end of the bag then faces you, allowing access to the controls.
    • If you are using a compact camera, your phone or a bridge camera, a large umbrella will help keep you and the camera dry. Your skills at shooting one handed and/or balancing the umbrella on your shoulder whilst you create your photos will undoubtedly develop!
  3. This is an opportunity to create photos without looking at the viewfinder or screen. To support this you can also turn off the review screen (or cover with a small piece of card taped in place). This practice of visualising what the camera can see will slow you down, teach you how your lens sees differently to your eyes, allow you to notice your attachment to the outcome and cultivate greater attention to what you are seeing. Mindful Photography is initially a practice that is about process rather than outcome. With continued practice your attention to the moment will result in more interesting photos.
  4. Choose a camera set up that you are comfortable with and can use instinctively. This could be Auto or one of the semi automatic modes if you like a bit of creative control. Remember the light will probably not be too great, so auto ISO or an 800 ISO setting may be needed.
  5. Set aside 30 minutes for the practice and set out for an interesting location. Walk slowly, observe your surroundings, do not look for a photo opportunity. Pay attention to your sensations: the sound of the rain, the trees moving, the smell of the wet land/streets, the reflections in puddles, the rain hitting the ground/objects.
  6. As you walk, observing your world, wait for a photo opportunity to present itself. When it does STOP. Breathe. Study what it was that stopped you. Absorb the scene. Notice what the subject of the scene is and what the background could be. Consider where you would place the frame, this will affect the background. Perhaps you need to move in, move up or down, or zoom in or out. Consider what the camera will see when you press the shutter.
  7. Create the photo.
  8. Repeat the practice until you have 10 photos.
  9. Edit, noticing your judging thoughts, and share your favourite photos and this practice.

The photos illustrating this post are from my own Mindful Photography Practice for a wet day yesterday

When I started writing this blog I saw myself as a photographer first and a mindfulness enquirer a distant second. However, I believe that things may have changed!

I have practiced meditation since 2006 when my health first broke on the shores of my striving life. Initially meditation was part of an investigation into ways that I could ‘get better’ and return to my ‘normal life’. My practice at this time was sporadic and it wasn’t until 2013 that I established a daily practice. Once committed other things started to change.

In that winter I had the idea of combining photography with mindfulness. I came up with the term Mindful Photography and I thought I had invented something original. But there were one or two other interpretations out there. They were not quite what I had in mind, so I set about developing my ideas and created my first email course in Mindful Photography.

Despite technological and marketing naivety I managed to have a small modicum of success, selling the course in many countries scattered about the globe. Then my website and health fell over and I had to let it all go.

Three years on from that adventure I am about to enter the next chapter. I now feel a great awakening. I know that I have an innovative idea, but now I see and feel the connections between mindfulness, creativity and living. And I see how I can share and encourage others to use their photography as a bridge between those three pillars.

I have set aside the summer months to develop the content for my Mindful Photography Course. This will be based, in terms of structure around the Mindfulness Sutra, first shared 2500 years ago. That all sounds very grand, but it is very rooted in your life.

The Four Foundations of Mindfulness shared in the sutra are an invitation to be aware of four aspects: our sensations, our thoughts, our emotions and our living. My course will follow this structure, applying and developing each stage with photography.

There will be videos, voice over sideshows, lots of mindful photography practices, ebooks to compliment each stage, a private Facebook group to share and discuss your photos and the opportunity for 1:1 tutorial via Skype.

As I stand on the edge of this development I am filled with excitement and wonder. I believe that my deepening mindfulness practice enables me to share ways of allowing you to apply mindfulness to the art and science of photography. More than that I will also share how photography can be used to develop and deepen your own mindfulness practice, integrating creativity, presence and love into your daily life.

Now I know that I am a mindfulness practioner and tutor first, and that photography is the practice that allows mindfulness to infiltrate every niche of my life. I look forward to sharing news of course development over the next couple of months before launching in September 2017.

You can stay in touch and get some interesting mindful photography reading by registering and downloading the eBook below.

Much is changing in the world. The influence of technology has fueled the quantity of change and its speed. How do you keep pace with these changes, maintain your equilibrium and thrive? I believe that you need to consider your lifestyle. How it impacts upon your well-being, in terms of health, wealth and your reasons for being! Find out more below.

How it was

I am going to approach this by reflecting upon my own lifestyle changes over the last 20 years. Don’t worry, I’ll keep it brief! The man that inhabited this body 20 years ago was a close relative of mine, but he had a different lifestyle. In 1997 I was a busy father with one small kid and a pregnant wife. I had a fast rising career as a senior manager in college education and a burgeoning interest in long distance running. Life was quite compartmentalised, focused upon family and career success, with a side serving of regular exercise and mainly healthy food; although I did have a clear disregard for the quantity of alcohol consumed! Everything was very focused and my first computer had just arrived on my work desktop.

My education career ended in the following decade. The health crisis that precipitated this was brought on by my lifestyle and a failure to pay attention to the impact that it was having upon a body that was changing. I have written much about this here, so I’ll skip over the details of the impact, save to say that everything has changed: marriage, career, hobbies and way of being.

The irony is that my not paying attention has led to a current lifestyle that is all about paying attention. I have to pay attention to those signals our body gives us. Those signals that say slow down, rest, manage your commitments sensibly. If I don’t do this there are health repercussions. So over the last 3 years I have moved from doing a part time job, some project work for the Arts Council Wales, and developing my mindful approach to photography; all whilst practicing paying attention to how I am. I say practice because I still get it wrong. I fall over. I get up. I fall over. I get up.  However it is now time for the next lifestyle change.

How it is going to be

I have now left my part time job. This is to free up space and time to develop my Mindful Photography Online Course: a course full of videos, slideshows, practices, a private course forum and lots of other goodies. I had hoped to be able to develop this whilst completing the final year of my part time job, but I just never manged enough dedicated time, whilst keeping everything else in balance.

Lifestyle wise this is going to mean initially three months of course development and marketing before launching in September 2017. I have the financial bases covered for a few months, then all I’ll need to do is sell the course. Easy huh? Of course it’s going to mean more self discipline, some regular scheduling and blog development, whilst still paying attention to those supportive practices that are a key part of maintaining my well-being: yoga, meditation, mindful photography, walking the dog, a (reasonably) healthy diet, social interaction (to replace that from the work environment) and fun!

I am very excited about my new lifestyle and my Online Course. I know that I have developed an original way of using mindfulness to enhance your photographic skills, support the development of a mindful approach to your life and to consider a little self exploration. I think that it’s innovative, supportive and fascinating. If you agree then why not subscribe in the box on the right of the blog page and you will receive my regular newsletter with news about photography and the development of the online course.

The Photos

All of the photos were taken this week when practicing mindful photography and represent new beginnings. Spring is a special time of new growth, abundance and vibrancy. I hope that some of the season’s qualities rub off in your world.

I have recently changed my camera system. After more than ten years as a Canon DSLR gunslinger I have traded everything in for a Fuji mirrorless system. What’s all that about then? Why choose to make any change? And why choose that change?

I am living through a period in my life of great change. I have made some choices, choices to live in a certain manner, that have sent ripples through my life. These have primarily impacted upon my relationships and livelihood. What I have noticed, in that process, that once you start with major change not only does each change have fundamental consequences, there is also a burgeoning desire to make other changes.

Whilst changing camera system might seem unimportant in itself, it is related to the life changes and could be seen as a metaphor for them. I have changed to a simpler, lighter, smaller system. In making the change I have had to ask myself what is important in creating photos? What do I need to achieve that? The outcome is one Fuji XT2, the kit lens and one prime lens – the 35mm f1.2.

Those choices are about portability and focal length preference. They are born out of experience. Experience and knowledge of how I work best. How I see the world. And it is in this respect that it is a choice that chimes with my other life choices. Simplifying and responding to what feels real, authentic and true.

Creating Photos

So there I am with my new shiny new camera. And just like starting a new job or primary relationship there is unfamiliarity and uncertainty. I breathe, return to myself, and remember that there is something in the creation of an abstract photograph that calls to me.

It is worth reflecting for a moment what abstract art is. It is defined as relating to or denoting art that does not attempt to represent external reality, but rather seeks to achieve its effect using shapes, colours, and textures. Its effect is that in losing your clear link to an identifiable object you connect with how the photo/art makes you feel. This feeling is conveyed by the use of colour, shapes, colour, texture and the other visual elements of design.

In this process the artist can express how he feels, though how the viewer feels when viewing the photos may be different. But it is in this sharing that the magic lies. For the photographer can aspire to the broader definition of abstract – existing in thought or as an idea but not having a physical or concrete existence – abstract concepts such as love or beauty.

I can be experiencing an emotion, thought or idea and through my visual design choices I can attempt to convey my experience. For me the true magic lies in the gaps between our common cultural interpretations of visual design elements, the personal experience I am living through and the viewer’s current lived experience. It is this interaction, which is part in my control and choice and part completely free of my interference that calls to me.

So there I am with my shiny new camera. It is unimportant. What is present is my experience in that moment and what I can see in front of me. These four photos represent that experience. They are the interaction between the external reality and my internal resonance of that reality. What I was feeling and what you feel (once you have got beyond the need to try and identify what the objects are!) is the magic between us.

 

My refocusing of my photography business as an online service that offers self development and enquiry through photography, with Mindful Photography at its heart, has encouraged me to reflect on why I have applied mindfulness to photography. Jon Kabat Zinn (Full Catastrophe Living), who has probably been one of the main catalysts for the growth in popularity of Mindfulness in the West, explains some of my thinking.

“….bringing Mindfulness to any activity transforms it into a kind of meditation. Mindfulness dramatically amplifies the probability that any activity in which your engaged will result in an expansion of your perspective and your understanding of who you are.”

Expanding your perspective

I like this a lot. “An expansion of your perspective” is a fabulous way of saying that you are totally immersed in the moment. Aware of what you are experiencing. Aware of the emotions coursing through your mind and feeling them in your body. Aware of the ground beneath you and the sky above.

As a photographer that would translate first and foremost to being completely tuned into the visual experience in front of you. The light, the colours, shapes, forms, patterns, textures and more would be what would provide your anchor. Like the breath can in meditation.

Furthermore the relationship between this visual experience and creating an equivalent of it with your camera (taking a photograph) would provide the opportunity to practice mindfulness with your technical and compositional choices. This is a huge subject; one I address through my online course.

Understanding who you are

The final part of the sentence, “…..and your understanding of who you are.” opens the possibility of using photography as a vehicle for personal enquiry. This is something that interests me greatly and I will continue to create resources throughout the next year to support personal enquiry through photography. I’ll be testing them on myself first and sharing them here.

Henri Cartier Bresson provides us a glimpse of how this enquiry is possible in his famous book ‘The Decisive Moment’ 1952

“I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, but which can also be affected by us. A balance must be established between the two worlds – the one inside of us and the one outside of us. As a result of a constant reciprocal process, both these worlds come to form a single one. And it is this world that we must communicate.”

It is these two areas: expanding our perspective and understanding who we are, that will be threads running through my mindful photography offering into the future. It is going to be a fascinating journey I do hope that you will join me.

You can subscribe to my mailing list in the right hand column of the Blog page or you can subscribe and receive a FREE ebook using the form below this post.

 

“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.” – Ansel Adams

I was looking for inspiration today and came across this fabulous quote by the landscape photographer Ansel Adams. His thought expresses a concept I have explored before and one that I shall be revisiting on my second Spring Photography Walkshop.

The relationship between your inner world – your thoughts and feelings – is one that must reflect your creation of a version of the outer world – the photograph, if you are to create a great photograph. You cannot separate the photographer from the person. The photographer is the person, and if your photographs are to say something of how you find the world then you have to allow that to shape and influence the photographs you create.

The photos I have included to illustrate this post were all created yesterday whilst practicing mindful photography. In that practice my intention is to remain (or return) to the visual whilst my mind shoots about. In that continuing practice I quieten and become more attuned to my outer world. The hope is that in this still place a connection between what I perceive and how it makes me feel is established. In that moment I press the shutter.

“No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.” – Ansel Adams

Photography and the Web of Connection

I spent the summer of 1976 living with my Dad in Windsor, Ontario (Canada), a place I’d never lived before. He’d moved there a few months earlier and was able to get me a job where he worked.

My second part-time job that summer was teaching figure skating at the local arena. A few weeks in, the skating club had a “test day” – where skaters perform before judges to see if they’ve achieved the required skills to move to the next level. The cold and cavernous arena was filled with the chatter of skaters, coaches, judges, and parents all gathered for the big day. There was a sense of camaraderie in the air. When someone passed a test, you could hear joyful sounds of celebration and when they didn’t, you heard groans.

While I had been warmly welcomed by the skating community, it was clear on this day that I was an outsider. I didn’t belong. At least, I felt like I didn’t. Most of the people there had long established relationships that would continue long after I left. Surrounded by hundreds of people, I felt very alone.

Sometimes, we feel the most disconnected and lonely in a crowd.

Maybe you’ve felt this way too. Since I was a young girl, I yearned to connect in a way my family members and closest friends could not always satisfy. It wasn’t the kind of connection met by conversation or through sharing experiences or memories. It was another kind, but what was it? It took me years to realize what I was missing and how to fill it.

In fact, it wasn’t until I began to photograph that I discovered the very connection I was missing. When that first image of winter trees in my backyard appeared in the solution so many years ago, I felt an aliveness I’d never experienced before. The photograph was a tangible representation of my connection to a place. Those intertwined branches represented the inherent way everything is already connected. My camera was showing me how to be fully in the moment and to connect through my photographs.

“All my creation is an effort to weave a web of connection with the world. I am always weaving it because it was once broken.” (Anais Nin, Winter, 1942)

Ever since then, I’ve practiced reweaving my web of connection through photography.
My camera teaches me how to slow down (pause), pay attention (focus) and then connect with what’s there (click the shutter). It teaches me about myself, what I’m drawn to and what I turn away from. It teaches me how to engage, and most importantly, how to trust what I must share.

Every photograph is about relationship – between photographer and subject or between subjects within the frame.

I believe that we live in an interconnected, interdependent world and that the quality of the world and of our lives depends on the quality of our connections and relationships. We are unique individuals, but we are not islands. We are connected. We belong. Photography then becomes not simply a way to express myself, but that connection. A photograph is a symbol of relationship. It’s a visual Namaste, where something deep inside of you connects with the essence of your subject.

To give you an example, while in Chicago, I walked along the river one cool and rainy morning. Colours often stand out on these types of days. This was certainly true on this day as I found myself drawn towards two small, fuchsia pink leaves glued to the back of a lime green bench. They were slightly overlapping and covered with big, fat raindrops. The scene felt so tender, like one was comforting the other. The contrast of the two bright colours accentuated the feeling. I moved in close to focus on the two leaves against the lime green bench.This simple and minimal image shows what I saw and hopefully, what I felt.

10 Ways to Connect through Photography

1. Pause and notice what’s resonating inside. What stopped you?
2. Focus by looking closer with a soft and loving gaze.
3. Notice any judgments that come up and let them go.
4. See everything as a worthy and potential subject.
5. Open to new possibilities by changing perspective.
6. Welcome the unexpected. Let the photographs come to you.
7. Use all your senses in the experience.
8. Notice what you’re feeling.
9. Trust yourself and what you value.
10.Share yourself generously.

We are all forces in this world with the potential to connect and contribute. Each one of us has something to offer. Get to know what you value and what matters most and you will begin to live out your purpose. Nothing needs to be added to make your life more interesting. Instead, eliminate what’s not important and follow your instincts. Your life will be richer and more rewarding, and you will have a greater impact on others. Everything you do and say and create matters.

Kim Manley Ort is a photographer and workshop facilitator. You can connect with her through her website, Facebook page, or on Instagram. The photographic exercises in her book, Adventures in Seeing: The Camera Teaches You to Pause, Focus, and Connect with Life, will help you to tap into a deeper awareness of yourself and the world around you. You’ll rediscover your own connection with a world fully alive, a world where you belong and have a place.

Boredom is an experience that is avoided. The distractions available are numerous: smartphone, TV, work, household chores and friends are but a few. But how would it be to experience boredom by choice?

I wrote this post whilst I was on what was planned to be a 3 day retreat in the farmland hills above the Welsh market town of Brecon. I have spent many retreat breaks over the last 8 years at the centre at Llannerchwen. It is very quiet, in beautiful rolling wooded hills and visited by pheasants, rabbits, hawks and much more. But it is my experience that every retreat is different; the external landscape changes with the season, and my internal landscape changes both with season and its own rhythms .

It was on my mind that there would be opportunity to experience boredom, even though I had brought books, podcasts and my camera. And so I chose to sit on the cabin’s most comfortable chair and gaze through the large patio doors at the dank welsh countryside, and I notice.

I notice the voice; my internal commentator suggesting I do this, or that. It is a quiet insistent voice, no doubt fueled by my normal behaviour, which in turn has been shaped by our doing culture. Stopping for a while, not reading, not even meditating is an enlightening experience. The voice is very strong. This post is a product of its insistent suggestions. But in between the activity, the doing tasks, there is space to notice.

I have sat for a while – not timed – and observed. I notice the movements outside my window; the thrushes fighting over territory, the occasional rabbit foraging through the bronze bracken, and the last leaves from the long passed Autumn clinging on to tributary branches.

In between the visual stimulation I notice my mind’s habits. Thoughts of action and activity wander in and beckon in an alluring manner, like an old friend suggesting a visit to a favourite haunt. I note the thought and go back to the visual. This is a cultivated habit from my mindful photography, but the thoughts are relentless. Like the waves they return again and again.

I know that the practice is in the noting and not reacting. In honouring the thought or associated feeling and returning to the moment. This is itself a mindful practice and is part of the reason I am here, cultivating the habit of paying attention. Why do I do this? I am choosing to re-wire my brain. This is how Dr Barbara Mariposa explains it in ‘The Mindfulness Playbook’

“The brain changes shape according to how you use it. We can intentionally change our brain and nervous system for the better. Regularly using mindful (activities) the prefrontal cortex increases in size and activity……..promoting greater self awareness, the essential building block for emotional intelligence. We are giving ourselves a mental and emotional upgrade.”

Stopping and noticing provides the opportunity to connect to a fundamental truth; “I am not my thoughts. I have thoughts.” Dr B Mariposa

So I will stop this activity now and return to my boredom, my observation of how I am. But I will leave you with a supportive mindful photography practice that I will complete my self later. (The photo with the post is the product of the practice)

Mindful Photography Practice – Boredom

  1. Imagine that you can only create one photograph
  2. Take yourself and your camera out to a quiet location where you will not be disturbed.
  3. Set your camera to a mode that you are comfortable with and requires little technical photographic thought from you.
  4. Turn off (or cover) the review screen.
  5. Sit at your location and pay attention to your mind
  6. Notice the thoughts. Recognise the feelings that arise. Do nothing, just sit. Sit for at least 20 minutes before you even pick up your camera, but notice your drive to complete the task, the consideration of your space and its photographic opportunities.
  7. Create one photograph. You can move to do this. Do not look at it. Just sit and notice your thoughts
  8. After a while go home. Sit quietly and look at your photo. What thoughts and feelings arise?
  9. Share it with me

One of the key areas I explore in Mindful Photography is how mindfulness opens a door to a connection with your feelings, and how you can choose to communicate those feelings with photographs. The short answer to how you can do this is twofold. Firstly, develop a knowledge of how to apply visual design principles to convey an emotion or mood. Secondly, through allowing an intuitive response to what you photograph to inform your choice of how to frame your photo.

The long and detailed answer is part of the landscape I will explore in my forthcoming Mindful Photography Online Course. In the meantime I leave you with a question. How can you learn and hold all the technical and compostional ideas for great photography and also allow a connection to how you feel about the scene or experience before you? It is in your answer to this that you will create photographs that truly say something about you and your life.

By way of illustration I include here a few photos from my recent retreat in the Brecon Hills. How do they make you feel? Why do they stir those feelings in you? I will be reflecting on my retreat experience in a future post.

 

I am currently recovering from a cold. Nothing unusual about that, but as a consequence my mind is foggy and writing a blog post is challenging. Patience is the word that lept to mind. Patience Lee, it will all return. Then I had a simple idea. Why not share the excerpt from the Mindful Photography Book I am writing about patience. It’s a win win. You get a great article and a mindful photography practice, I don’t have to think (too much!) Here it is.

A Mindful Attitude – Patience

I believe that patience is the underpinning attitude of mindfulness. It is a quality that is both known and elusive. It is the place that allows us to rest in the moment and await the world’s unfolding. The challenge is that your mind, your life and your whole culturally shaped way of being impels you to do stuff.

This western world carries an implication that we are “ok” if you are completing a task or achieving an outcome. You may define yourself as, “good, ok or not bad” if you feel that you are purposeful, if you are doing something. Having a purpose for the day is a positive and life affirming experience. However, if you are to truly experience your activities in a non judgemental way, patience is the quality that allows you to fully integrate the experience.

Patience in the moment allows you to be with whatever the experience is. It allows you to rest with your sensory experience. To notice the thoughts that swirl and pass through your mind. To recognise the feelings that arise. With patience you rest with the present experience and don’t rush off to experience “better” ones.

This can be particularly true of “unpleasant” experiences. In these circumstances your coping mechanisms may include delusion (pretending or convincing yourself that the experience is not unpleasant), avoidance or distraction (not thinking about the experience, doing something else) or destruction (when you take action to remove or obliterate the experience!)

Patience is the attitude that allows you to rest in each and any moment. It allows each moment to unfold in its own time. In that space you can then know yourself by becoming attuned to the body’s responses and sensory information, by noticing the thoughts and feelings that arise in your consciousness. Patience supports the practice of being, or living holistically.

My development of a chronic health condition has provided ample opportunity to practice patience: patience with the immediate struggle to breathe; patience with the slow healing process; patience with my feelings of frustration, fear and anger; and patience with others reaction to me, their judgements, their behaviours and their inability to appreciate what is going on for me. Sometimes I imagined that I could be with all of it, that I was patient. Perhaps this was not patience, but numbness. Sometimes it was pure stoicism, a learnt behaviour from all those miles and miles pounding the roads enduring the discomfort, the pain and the desire to sit down.

My experience tells me that true patience, rather than numbness or stoicism, comes hand in hand with understanding and acceptance of the situation. And that is the lifetime practice and at the heart of my book.

 As applied to photography

Patience supports your development as a mindful photographer. You need to be patient in the moment of creating a photograph. When you bring the camera up to your eye to compose and press the shutter there is a drive fuelling your action. This drive is the same one that impels you to keep doing stuff in your life. It is the drive to capture the moment in a “good” photograph. You believe that your purpose in that moment is to create a photograph. It is more than this.

All of the processes, thoughts and actions that are necessary to create a photograph – from learning all the technical and compositional theories, to truly seeing all that is front of us (the shapes, colours, patterns etc) – are just part of the process. You need to be patient over many days, weeks and years as you acquire and deepen this knowledge. You then need, in the moment of pressing the shutter, to let all of the associated photographic ideas and thoughts to wash over you, to release the drive and just be with the experience.

Only then, in a quiet and connected place, will you instinctively reflect your inner experience in your outward view (the photograph). Perhaps this is better explained by a master of the art.

“I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, but which can also be affected by us. A balance must be established between the two worlds – the one inside of us and the one outside of us. As a result of a constant reciprocal process, both these worlds come to form a single one. And it is this world that we must communicate.” Cartier-Bresson ‘The Decisive Moment’ 1952

Patience forms the loving hands that embrace your desire to create personal resonant photographs of your world.

A Mindful Photography Practice 8 – Just Sit

The purpose of this practice is to develop patience. Choose a location and scenario to photograph where the creation of a personally resonant photograph will require patience. Here are a few examples

  • A sunrise – getting up super early, getting to the location in plenty of time, sitting and waiting. Create photographs throughout the sunrise.
  • A technical aspect of photography that you find challenging. This could include panning, intentional camera movement, night time light trails, freezing fast moving objects eg sport, nature.
  • A portrait photograph of someone you know but find challenging (patience with your feelings of discomfort)
  • A sunny day moving shadow. Choose a location where a shadow of an object is cast. Set up in a fixed spot, use a tripod if you have one. Sit next to the camera and create one photograph every 20 minutes. Only sit, wait and observe for each 20 minutes; no reading, no smartphone, do nothing. Just be present.

The following post has been generously shared by Alan Wood and details his own exploration of mindfulness and photography

A Personal Journey to Mindful Photography by Alan Wood

I have been a photographer since, as a child of 7 or 8, my grandfather gave me his box Brownie camera. Over time other cameras followed but I eventually found that work and then family commitments were such that there was very little time, or perhaps energy, for actual photography. But I did read books and magazines about photography, its equipment and techniques. I would daydream of being like my photographic heroes, going where they went and capturing the sort of images they did. However, when I did get out with my camera the reality seldom lived up to the dream and, perhaps unsurprisingly, I was frequently disappointed with the results. I became increasingly frustrated until, after many years, there came a moment of crisis.

I was on holiday in Devon, out for an early morning walk with my camera before the rest of the family woke up. I stood on a footbridge across a stream in a beautiful wooded valley trying to find a composition for a photograph. But my mind was in turmoil, thinking, thinking, thinking about the camera, its settings, the lens to use and the right technique, and beyond that to where I was going to go next, what I was going to have for breakfast when I got back and on and on. I felt as if I were not really there, completely separated from my surroundings. Even the camera in my hand seemed to have become a physical and mental barrier to my being able to see the reality of what was in front of me. The frustration became unbearable. I stopped and there and then vowed that I would not take another photograph until I learnt to see and to be truly present with what I was seeing. I kept that vow. I put my camera away and also stopped reading the photographic books and magazines through which I seemed to have been living vicariously.

There was of course more going on in my life. The relentless pressure of my work, amongst other things, brought me close to breaking point. Then, one day during a lunchtime browse through a bookshop, I came across a book, called “Teach Yourself to Meditate” by Eric Harrison. On the back cover I read “Many people are turning to meditation as an effective way to relax and bring inner peace.” I thought that I could certainly do with some of that and bought the book. I soon established a practice of daily meditation. I would get up early and in the quiet of the morning sit for 20 minutes, following the breath as my focus. I quickly found it invaluable as a means of calming the mind and becoming grounded and ready for the day ahead (although I have since discovered that meditation goes much further than that).

After a couple of years I decided I would like to go on a meditation retreat. That brought me to Gaia House, a retreat centre in the Devon countryside for my first silent retreat. I was nervous to start with, fearful in case my self taught meditation practice was wide of the mark. Fortunately it wasn’t and I benefited from the deepening of my practice. There then followed further retreats including a one month silent retreat attended during a sabbatical from work, a prelude to a run down and eventual early retirement.

Influenced by my meditation practice, I was finding that I could now go for a walk and, being mindful, see and experience more directly what was around me, aware too of my emotional response, to be present in my surroundings.

I wondered then if I was ready to pick up my camera again. I did and tentatively started to re-engage with my photography. The camera no longer appeared to be a barrier to seeing and I found that I was able, not only to use the camera to reflect something of my response to what I was seeing, but also to be more focussed on that seeing and to be more deeply engaged with it. I am grateful for that and am enjoying my photography more than I have ever done. I don’t see the final image so much as a goal in itself (although I do get a sense of satisfaction if I produce an image with which I am happy and if that image is appreciated by others) but rather as part of a process from the mindful seeing, responding and then using the camera and even the post processing on the computer to reflect that response.

I am now at a point where, as well as it being a reflection of my response to what I see, I would like to use my photography to explore how my inner world affects that seeing. And who knows where that will take me.

Below are three simple images from one of my retreats which I feel reflect something of my emotional response to the seeing.

Balance is not only a key part of photographic composition it is a key element in life. How do you keep your life in balance whilst the world appears to be going a little crazy? How do you stop it all from becoming a little bit overwhelming? 2016 brought us Brexit and Trump. 2017 is sure to follow up on these massive changes. How do you keep your life in balance surrounded by media madness and major changes in your own life?

Change

Our lives flow against a backdrop of continual change. There is nothing that remains constant or static. A few of these changes are instant; with others the speed of change is so slow that we can convince ourselves that all is as it has always been.

We do seem to be living through a period of tremendous change. Many people feel personally affected by these worldwide changes. You may also have major change playing out through your life right now. Is a balanced approach the way forward? If so how can we develop one?

When change happens we often feel uncomfortable, uneasy or plain scared. This is particularly relevant if the change is unexpected, but can be just as difficult or challenging if it is planned – like a house move or ending a relationship.

When change manifests in your life you react. This reaction is driven by your patterns of thinking. It is influenced by the messages you have received throughout your life from others and the messages you tell yourself. This can often include negative statements like you’re not good enough, or simple derogatory name calling! Either way it is a product of habitual thinking. You are used to thinking a certain way.

The good news is that this can be changed. Every pattern of thinking, every habit can be changed. They are just neurons in your mind that have got used to following a certain path. All you have to do is re-wire them. I say ‘all you have to do’, of course it is not easy. Changing any habit is not easy, but it is possible and there is a way forward that encourages a skillful response rather than your habitual response.

“Neurons that fire together, wire together” Donald Hebb 1949, Canadian neuropsychologist

Responding Skillfully 

What you need is a little space. Space to connect with what is going on for you. Space to notice how you feel. This is at the heart of mindfulness. Creating space, just being present and paying attention to how you are. Mindfulness, and the training you can do to develop a mindful life (that’s meditation!), provide the space; the moment for you to breathe and connect to how you are.

In the moment that the change first manifests STOP. Sit and notice your bottom on its seat and your feet on the floor. Breathe and notice what you are thinking, what you are feeling. Don’t follow the thought, worrying at it – like a dog with a bone! Come back to your breath. Notice how this change is making you feel physically. Check out your belly, your chest and your throat; these are the key areas where change that is stressful will play out. It may be that you have butterflies in your belly, or that your heart is pounding in your chest. Sit with the feeling, breathing into where you feel it.

As you do this thoughts and feelings will still play out. Return to the physical. Don’t follow your thoughts. Pay attention to your physical feelings. As they begin to fade stay with them. When the physical feelings dissipate return to your breathing. Slowly and almost imperceptibly the thoughts and feelings will soften and eventual dissolve. I know, they will return. This is a habitual thinking/feeling pattern. You will need to follow this practice again, and again, and again.

But that is why it is called a practice. You keep at it. Not expecting instant results. Not expecting to even get it right. There is no right. There is only the practice.

Why not watch and listen to an expert talk about this? Tara Brach’s talk on ‘Learning to respond not react’ is a great start.

Balance in life

This is just a beginning; a practice that can support you at the edges of change. What about the rest of the time as you pass through each day? Is a balanced life the way forward?

This is a question that is very much on my mind. It seems to me that finding a way to navigate this sea of change, so that I can continue to grow and develop to become the best possible version of myself, is both an intention and a commitment to a balanced life. It is one that requires that I pay attention to the challenges, my reactions and my responses. Following the practice I discussed above is strategy that can support me, but it is in noticing what happens when the old patterns reassert themselves that the growth and development is to be found.

I have recently had a couple of health wobbles. In each case (and every one before) the pattern of behaviour is the same. I am well. I gain in confidence in my stamina, abilities and ideas. I take on more. I get busy. Somewhere around this point there may be signals from my body that I am overstretched. Sometimes I notice and either back off or, more likely, I plough on. Most often I don’t even notice how I am. I am completely immersed in my activities.

I am also immersed in my pattern of behaviour. I am striving to do each activity, each task, to the best of my ability and there are many to be done. I strive to be effective, efficient and provide a high quality outcome. This is a positive drive, I get lots achieved, but its boundaries are transparent. My body eventually says ‘enough’, my breathing stumbles and I have to slow down or stop. And of course in the slowing down or stopping I have to let things go.

The trick is to notice the signals. Or to notice the pattern of behaviour. To check in to how I am feeling physically and mentally. This way of being is supported by practicing mediation and mindfulness. But both these and the change practice I described above are just that, practices. I know I will fall down. And when I fall down there is only one thing to do. Oh ok two things!

One: Get back up
Two: Pay attention to what happened and why

It is in the response to my failures that the greatest lessons are to be found. Living a balanced life is finding a way through opposite extremes of behaviour. Of knowing who I am and how I am. It requires that I pay attention to myself. For it is in the paying attention that the path between the mountains is revealed.

Developing the ability to pay attention is what mindfulness is all about. My tools are meditation, yoga, mindful photography practices and mindful attention to the one thing that I am doing. How do you navigate through your stormy sea of change?

Mindful Photography is mindfulness applied to the process of creating a photograph

Mindful Photography is mindfulness developed through photography. It starts with seeing clearly and extends through the technical and compositional choices, towards an encouragement to align your eye, your mind and your heart whilst you are completely present.

There is a lot to unpack in that definition, so let’s start at the beginning. Where does the term Mindful Photography come from?

If you enter the term into a popular search engine and review the sites that are presented you quickly come to a conclusion; it is being used by many people to mean different things. However, the general consensus is that Mindful Photography is the development of mindfulness through photography and strong identification is often made for its links with Buddhism. So let’s start there.

Contemplative Photography

When one first explores the idea of applying mindfulness to using a camera, the practice of contemplative photography becomes relevant. The main evolution of the practice of contemplative photography seems to have been through Buddhism.

Buddhism has a rich tradition of expressing wisdom and realisation through the arts and it seems that the Lama Chogyam Trungpa Rinpoche may have been the first to have used his camera as an exploration into clear seeing. This history is explained by Michael Wood (the co-author of The Practice of Contemplative Photography: Seeing the World with Fresh Eyes) on his website. He explains Buddhism’s connection with clear seeing thus,

“Buddhism is concerned with clear seeing because clear seeing is the ultimate antidote for confusion and ignorance. Attaining liberation from confusion and ignorance is Buddhism’s raison d’être. Clear seeing is a primary concern for the art of photography because clear seeing is the source of vivid, fresh images—photography’s raison d’être.”

Buddhism is not the only religious tradition to have seen the possibility of photography as contemplative, reflective tool. The book The Tao of Photography offers a Taoist approach, considering how photography and The Way can be mutually supportive.

I have also read Christian based explorations. In The Little book of Contemplative Photography Howard Zehr relates the Christian tradition of contemplation to clear seeing with a camera. Does that sound familiar?

Clear Seeing

One thing that all these explanations have in common is that it is the process of clear seeing that is central to being at one with the present moment; to connecting with what you are experiencing. When I practice Mindful Photography my first intention is to use what I see as my anchor. I walk, with my camera, observing the world. I am not looking for a photograph I am observing the visual panorama before me. Every time I notice that my mind has wandered into planning, reflecting or judging I come back to the seeing.

Then there will come a moment of visual stimulation, something will ‘catch my eye’. I stop and rest in that moment. I try to stay with what it was that stopped me, connecting to the visual nature of the scene.

Finally, I receive the photograph. This is achieved by creating the equivalent of what I see with my camera. I consider where to place the rectangular frame. Maybe I move in or zoom in, or both. It is almost inevitable that during this final stage my clear seeing will be influenced by barriers; these include photo thinking, excitement, conceptualisation and judgement. I notice these thoughts and return to the visual stimulation that first stopped me. Press the shutter and walk on.

How do we see clearly?

Those barriers to clear seeing each have a lot to them. Let’s start with conceptualisation as that has the clearest link to the process of seeing.

Your eyes see light. It is your mind that then makes sense of what you see. In micro seconds your mind assembles all that visual information and applies labels. Colours, three dimensional depth, form, shape, pattern and texture are identified and the objects are given names.

But your camera doesn’t see like that. It captures light, just a small rectangle (not the almost 180 degrees that you see) in two dimensions. It does not know what it is seeing. So to ‘create the equivalent’ of what stopped you in that moment of visual stimulation you need to see like a camera. Claude Monet explained this clearly.

“In order to see we must forget the name of the thing we are looking at”

In forgetting the name, or label, we start to see the light. Is that easy? Oh no, it takes practice, lots of practice. In fact as Malcolm Gladwell suggested in Outliers it takes 10,000 hours of practice to become a master of anything. This truth is fundamental to our development as Mindful Photographers particularly when we consider the photo thinking – the technical and compositional ideas that underpin successful photographs – that swirl about our mind when we are trying to see clearly.

I believe that Mindful Photography must build upon the foundations offered through contemplative photography. It must offer practices that support your intention to remain with your clear seeing, whilst all that photo thinking and emotional experience is occurring. As you develop as a photographer, as you learn the technical and compositional context, there are mindful photography techniques and practices that you can follow that will help: wherever you are on that journey of 10,000 hours.

What are these techniques and how can you learn them? Read on…

Mindful Photography Practices

I have created many activities that can help you to develop a mindful approach to life through your photography. I call these activities Mindful Photography Practices.

Each one of the practices is an activity designed to either apply mindfulness to the art and science of photography, or to support your development of a mindful life through photography. Within this exploration of life and photography there is an opportunity to become more familiar with who and how you are.

What you need is an example! Here is an example of a mindful photography practice that will support you on this exploration.

What happens when you practice mindfulness?

When you practice mindfulness, be it simply sitting for meditation, following a mindful movement practice like yoga or engaging in a mindful photography practice, you have the opportunity to notice what your mind is doing. Many people new to mindfulness have an expectation that it will help them respond skilfully, rather than react habitually, to the stress in their lives. This is true it will, but there is more to be aware of.

As you focus upon just doing one thing (sitting and following the breath) you begin to notice how busy and noisy your mind is. As you continue to practice over many days, months and years this experience allows you to become more aware of your mind’s habitual thinking. It is quite possible, even likely, that the more you practice the more older thoughts and feelings will arise.

These previously well buried thoughts and feelings emerge into the space and quietness that you have created. You may find this very uncomfortable. I have a mindful photography practice I am going to share here that may help you hold this experience with gentleness, as you move towards accepting what you are experiencing.

Mindful Photography Practice – Feel the photo

This practice is designed to support you through a time when you are experiencing thoughts and feelings that you do not like. You may be angry, upset, annoyed, frustrated, fearful or confused. Whatever it is that you are finding uncomfortable this practice is for those times.

  • Set up your camera in a shooting mode that you can use instinctively. Auto is fine, or if you prefer a little more control use aperture priority (choose an aperture of f8 and ISO auto).
  • Turn off your view screen so that you cannot see or review what you are creating. If you are not sure how to do this tape a piece of card or paper over the view screen, taking care not to cover any essential buttons. You can create photos by looking through the viewfinder or just shoot blind, from the hip!
  • The purpose of this is to tune you in to what you are feeling and release the control you may experience about creating photos.
  • When you are experiencing strong emotion, set your camera up as explained above, and go walking with your camera.
  • Choose any location you feel drawn to.
  • As you walk do not look for a photo opportunity, just walk, paying attention to what you can see
  • Notice the thoughts and feelings that relate to your difficulty.
  • At some point something will catch your eye. Stop and consider what it is.
  • Move closer. Frame tightly. Create the photo and move on.
  • Repeat this, paying attention to your feelings and the visual feast before you.
  • Act instinctively and release your attachment to what your photos look like.
  • Finish when you feel ready.
  • Return home and DO NOT LOOK at your photos! Leave it a day.
  • Next day review your photos and notice the feelings you experience.

It you find this practice useful please share it with your friends.

10 reasons to embrace Mindful Photography

My top 10 reasons to embrace mindful photography are outlined below. These may stimulate more questions for you than they answer. Some of those will be explored in my forthcoming online course. In the meantime I am happy to answer any questions you may have, just use my website contact page.

1) Learn how to see like a camera – A camera does not know the name of anything in its viewfinder. It sees light. You can learn to see the light, but you must forget the name of things!

2) Use what you see as your anchor – In meditation the breath is often used as an anchor; the thing we return to when we notice sensations, thoughts or feelings playing out across our mind. In Mindful Photography we return to the seeing.

3) Develop your photography skills and knowledge whilst remaining connected to the visual feast before you -My online course will explain how you can use the visual feast before you to return to the present and create photographs that capture that moment.

4) Express how you are feeling with a photograph – Photography can be used to explore and represent emotional experiences that are current or past. It can be literal, metaphorical or symbolic. Or it can just be a photo of something that resonates for you.

5) Use photography as a vehicle for self enquiry – The more you practice mindfulness the more you discover about yourself. Photography can be used to explore your world and can act as the intermediary between your inner world and the outer one.

6) Cultivate your ability to let go of unwanted thoughts and feelings through mindful photography practices This is perhaps one of the greatest challenges that mindfulness and meditation can support you with. Practicing mindfulness provides the opportunity and training to recognise the thoughts and feelings that are playing through your mind. There are mindful photography practices you can follow to support your intention to allow these to dissolve.  I provide these on my new online course.

7) Develop patience in your world through understanding and accepting your development as photographer The journey to mastery in any skill may take 10,000 hours (Malcom Gladwell in Outliers). There are mindful photography practices you can follow that support your development. These allow the quality of patience to develop as you pay attention to the thoughts and feelings that arise in the process of learning your craft.

8) Develop your ability to see the world as if for the first time – A beginner’s mind is a mindful attitude. It is one that you can apply to the practice of creating photographs. If you choose to return regularly to the same location, to spend time slowly exploring the visual feast available you may begin to see beauty which once eluded you. At this familiar place you can practice “giving the mundane its beautiful due” as John Updike suggested. This ability, cultivated through mindful photography, can support you to look at your daily experience with fresh eyes.

9) Develop trust in your own feelings – If you are to create photographs that are personal, unique and authoritative then you must listen to your heart, as well as your head. You can learn to trust and follow your own intuitive guide. If you cultivate this skill through mindful photography practices it will begin to seep through to the rest of your world.

10) Bring mindfulness into another aspect of your life – Mindfulness does not have to be limited to the meditation cushion that is merely the training zone! As Jon Kabat-Zinn said, “Mindfulness applied to any activity turns it into a kind of meditation.” By developing mindfulness through photography we expand our potential to be fully present in our life.

Don’t miss Developing Mindfulness through Photography Part 2