New eBook out today

My new eBook Photography for Well-Being 1 is available today from all major online bookstores. Yep, that includes Amazon (all countries) as well as Apple, Kobo, Nook, 24 Symbols and Angus & Robertson. Just click on the link above or the photo below and you’ll be taken to my book page with all the relevant links.

Just in case you are not sure what the book is all about, here is a quick summary.

Every one of the 15 photography activities in Photography for Well-Being 1 has been used to support my health and well-being and will support yours. These really work; I used the activities to support my recovery to full health after major surgery. I have continued to use them with huge benefit whilst ‘shielding’ during the Covid-19 pandemic.

Photography for Well-Being is all about doing creative, mindful photography activities and then sharing your favourite photos. Each activity has a common structure and they all include these six features:

  1. Creativity – Improving your seeing skills, learning and developing your photography skills and creating photos that you love.
  2. Being in the great outdoors (there are one or two indoor exceptions).
  3. Gentle physical exercise.
  4. Love – of a place, person, thing or experience.
  5. Mindfulness – through a Mindful Photography Practice.
  6. Social interaction by sharing your favourite photo.

It is this combination that works to create a sense of well-being. Creativity is mood-changing magic. Out of one set of ingredients, activity, situation or experiences, something else is created. In this case, photographs that would not exist if you were not out there, following my instructions, noticing what you see and creating photos that relate to the time, place, your feelings and your individual abilities. Creating photos whilst you walk in nature, feeling the sun (or rain) on your face, looking in awe at natural or human-made magnificence, has the capacity to lift your mood, illuminate what you are feeling, and allow difficult thoughts to settle and soften.

Each activity is also designed to develop a specific photographic skill. It does not matter if you are using a smartphone or a digital camera, you can do all of these activities with the camera you have with you. Some of the skills development is specific to digital cameras, but all of the activities can still be done with a smartphone and where relevant I have provided guidance specifically for smartphone users.

In each activity, there is a section called Photography Skills Development. Each activity looks at one specific skill, in a rotation of three topics: Mindful Photography (Seeing Skills), Composition and Technical skills. However you describe yourself as a photographer, each activity has the potential to improve your photographic skills. Learning new skills or enhancing existing ones, whilst enriching your creative powers, will boost your sense of achievement. You will feel purposeful and develop a greater belief in your photographic ability.

Creating personal, unique photos, out in the fresh air, learning and developing your photography skills, and then sharing the photos with other people can really help to support your well-being. Why not give it a go? Alongside the book there is a supportive Facebook group which you can join and post your photos from the activities, see other people’s photos and share positive comments. The header photo on this post was created following one of the book’s activities, ‘Sun Salutation’ on a glorious sunny day in mid February this year.

I look forward to seeing your photos!

 

Photo Activity: 24 Photos

Back in the day, when we only had film cameras, creating a photograph was a different experience to the digital world we now live in. The most obvious difference was that you could not see the photo you had just created until the film was developed. In addition, many of the cameras and lenses were fully manual, so creating the photo was a slower process. Also you only had 24 or 36 exposures. There was no deleting; no checking which photos you liked and which you didn’t, until the film came back. This Photo Activity replicates that experience, it turns your digital camera into a film camera. Why do that you ask? These five reasons:

  1. This will slow you down.
  2. Slower photography means that you will see more.
  3. Seeing more means that your photos will be more creative.
  4. Having a limited number of photos will encourage you to pay more attention to the creation of each photo.
  5. Paying attention means that your photos will be more interesting.

It was using my Fujica ST705 which inspired this activity. I found that there was a film left in it – the camera had been packed away for a while – so I went around the house playing with possibilities. The camera is fully manual; shutter speed, aperture and ISO all have to be set. There is a basic light meter visible through the viewfinder which helps to get a balanced exposure. The lens is manual focus too. I noticed how it slowed my photo creation down and decided to revisit the idea of slowing down your digital photography practice. It will make a difference. You will pay more attention to the making of each photo, and that can only result in more interesting and creative photos.

I should mention that some of you may have cameras where some of these instructions are not possible. Do as many as you can. If you cannot do any of them even the simple act of only creating 24 photos with no deleting or reviewing will slow you down.

 

Photo Activity: 24 Photos

  1. Set aside an hour or two for this activity.
  2. Choose a location – inside or outside. Inside is more challenging!
  3. Set your camera up in Manual mode.
  4. Turn off the viewscreen, this includes for review also.
  5. If you have a lens that can be turned to manual focus use that.
  6. Set the ISO for the light. The standard guidelines are – Bright sunny day 100; bright intermittent sun 200; cloudy day 400; heavy cloud/rain 800+; inside depends upon the light in each room 400 – 800+
  7. Set your aperture to f8 – this is a mid range aperture.
  8. Set your shutter speed to 1/125 – this will guarantee no camera shake. It is a mid range start point.
  9. You are going to create 24 photos. No reviewing. No deleting.
  10. As you cannot see the screen you will need a method of keeping count. 24 nuts, seeds, stones or sweets will work. Cast one off for each photo.
  11. Each photo is precious. You only have 24.
  12. Each time you find a scene bring your camera up and review the light information.
  13. To change the exposure  – more or less light – you have control of the aperture and shutter speed.
  14. A smaller aperture number (e.g. f2.8) is a larger hole = more light and shallow Depth of Field (less of the depth of the photo in focus)
  15. A bigger aperture number (e.g. f16) is a smaller hole = less light and greater Depth of Field (more of the depth of the photo in focus)
  16. The shutter speed numbers refer to fractions of a second. The larger the number (e.g. 1000), faster shutter speed = less light. Smaller numbers (e.g. 1), slower shutter speed + more light.
  17. A slow shutter speed means if you move the camera whilst the shutter is open the scene will be blurred.
  18. Take your time with every photo. You aim is to create a balanced exposure. This is recorded as 0 on the exposure scale in your viewfinder; most look like this: 3 2 1 0 -1 -2 -3.
  19. Make creative choices about the framing and your Point of View.
  20. Decide upon an aperture and shutter speed for each photo.
  21. Release attachment to the idea that every photo will be perfect.
  22. Mistakes do not matter. This is an experiencing in slowing down and being creative.
  23. When you finish. Take a break, have a cuppa before you review your photo. Be kind to yourself. Slowing down is more important than the photos.
  24. If you have one photo you like share that with me.

Here is my favourite photo from the last time I did this activity. I’ll be doing it again very soon.

 

Where the light gets in – Photo Activity

I have recently shared this with my newsletter subscribers, but I thought that at this time it may be beneficial for you all.

This photo activity is a response to the Covid-19 pandemic and is inspired by three lines from Anthem, by Leonard Cohen:

Forget your perfect offering
There is a crack in everything (there is a crack in everything)
That’s how the light gets in

  1. Allocate one hour for a photo walk from your house.
  2. You will only create 10 photo in this hour, so take it slow.
  3. No reviewing. No deleting.
  4. Before you start sit quietly at home for 5 to 10 minutes thinking about how the Covid-19 pandemic is making you feel and Leonard’s lines of hope. Jot down your thoughts and feelings on a sheet of paper.
  5. Fold up the paper and place it in a pocket.
  6. Choose a camera and lens set up you are most familiar with – your ‘walkabout’ choice.
  7. Set the camera up in a mode that you can use instinctively.
  8. Walk and follow the Four Stage Seeing Practice: Anchor; Seeing; Resting and Creating. (see below).
  9. Keep a mental note of the number of photos you have created.
  10. If you forget the count, review the photos in your mind, visualising where you stopped to create each photo.
  11. Take your time. Instinctive and contemplative photography is your goal.
  12. Stop occasionally and review your sheet of paper.
  13. When you complete the activity and return home reward yourself with your favourite hot beverage and a treat. Do not review your photos yet. Notice the nagging voice! Allow the experience to settle whilst you drink.
  14. Later review your photos and notice your judging mind.
  15. Consider the photos you are drawn to and notice if you do not like some of your photos.
  16. Share your favourite photo in the Photography for Well-Being Facebook group or with me via return of this email.

Here is my favourite photo, a multi exposure in camera to reflect the light and dark.

 

Follow this Four Stage Seeing Practice to develop your ability to see everything that is there, enabling seeing to become a mindful experience when you are creating photographs.

  1. Anchor – When you arrive at your location take a moment. Sit somewhere and observe. Notice the breeze on your cheek and the smells that surround. Then tune into your visual experience. Notice the colours, lines, shapes, textures and depth. Notice where the sun is and the direction of light. Notice bright areas and shadows. If it is cloudy notice how this affects the scene. Spend at least 5 minutes paying attention to what you can see. Whenever you notice your mind thinking, about the photos you are creating, about what you are having for tea, about how daft you feel, return to what you can see. This is your anchor. Throughout your practice return to what you can see.
  1. Seeing – Walk at a gentle pace observing, but not looking for a photo opportunity. The photograph will find you. This is a challenge. There is a difference between attentive observation and looking for a photograph. The difference is the practice. All you have to do is to amble and observe; wait for something to catch your eye. This is to be a natural occurrence. Trust that something visually stimulating will arrive. This is all. You are attuned to your visual experience. Something will suggest itself as a photographic opportunity. When it does, stop.
  1. Resting – Look at what stopped you. Really look. Stay with the visual experience and breathe. Try to remain free from thoughts, ideas, action, consideration or internal chatter. Particularly notice any photographic thinking that creeps in. Just come back to the visual experience.
  1. Creating – Before you bring your camera up to your eye consider how you will use the camera’s frame to create an equivalent photo of what stopped you. Do you need to move in or out? What is in the frame? What is not in the frame? Do not over think the photo to create a ‘better’ image. Press the shutter and receive the photo. Then walk on.

Take your time with this practice. Slow, contemplative photography is your aim. Always come back to what you can see. This is my refrain, “What can I see?” Every time I notice photo thinking or my busy mind, I come back to what I can see.

 

Stuck in the House 2

Something creative for you to do today…..

 

Photo Activity: Changing your Point of View

  1. Your aim is to create 10 photos in 30 minutes in your house. No more. No less.
  2. Use your Smartphone in Airplane Mode, to limit interruptions!
  3. Take your time, spend time in each room.
  4. You will only press the shutter 10 times.
  5. No reviewing of your photos.
  6. No deleting.
  7. When you find an interesting scene consider different Points of View.
  8. Move left, right, up, down, in and out.
  9. Do not use the zoom function.
  10. Look at each potential photo like a camera would: it does not know the name of anything.
  11. Think about the light, colours, lines, shapes, forms, textures, patterns and space.
  12. When you have finished choose one photo to share in the Photography for Well-Being Facebook Group
  13. Comment why you like it and then comment on other people’s photos.

The photo at the top of this post is not my favourite photo, but it was created during the activity. I have included it as the header image because it shares the time and place where I created my photos. I’ve posted my favourite in the group with a comment. Look forward to seeing yours and reading your comments.

Are you stuck in the house?

I am social distancing. Who would have thought it? Three months ago no one imagined a little virus could cause this much disruption, and it is going to get more challenging. It is very likely that many of you will be stuck in the house; either in self isolation (because you have the virus or someone near to you does) or social distancing (because you are vulnerable). One of my readers (thanks Ruth) suggested that I share a Photography Activity for people in this situation. Here is a variation on a new photography activity from my forthcoming eBook ‘Photography for Well-Being’, which may even be released earlier than expected because I am stuck in the house. The silver lining!

Stuck

On a day when you feel a little blue, stuck in the house or stuck in your creativity prepare to be inspired with this activity. The idea for it came on such a day, the relentless rain of yet another wet winter’s day was pulling me down, I knew what I needed to do: get creative.

There is not much that you need preparation wise. Just save this activity for a day such as I describe. Maybe it is the weather, maybe life circumstances, maybe you just have to stay in or maybe you just feel creatively stuck in routine. Whatever the reason you feel stuck embrace the possibilities of this activity and change your mindset through a creative photography fun. All you need is your trusty camera, one favourite lens and an open mind. Follow the activity guidelines and note how you feel at the end.

The skills you will develop during this activity are rooted in seeing creative possibility. When you feel stuck sometimes all you need is permission to do something a little different, to get creative with your life. This activity is kind of a metaphor for that. You are going to follow a routine of shooting that encourages you to see what might be there, even though you cannot at first see that possibility.

I believe that creativity can be fired by marrying limitations with routines, so that is what you are going to do. The limitations include a limited time frame, only 20 photos, no deleting and staying in your home. The routines include the Four Stage Seeing Practice, a favourite music album and following ECRA (Experiment, Create, Review, Adjust). I will start by explaining ECRA.

Experiment: As you wander about your home, from room to room, use these three camera techniques to see new creative possibilities. They can be used individually or together.

1. Defocus: Use a lens that you can switch to manual focus and defocus the photo each time you see a possibility. Look for colours, lines and shapes to begin your experimentation.
2. Wide Aperture: Use a lens that has a wide aperture, anything beyond f2.8 will encourage creative seeing. Set your lens to its widest aperture, ISO Auto and your camera to aperture priority.
3. Intentional Camera Movement + 1 second Shutter Speed: Intentional camera movement works well when the movement is kept to a small one, this partners well with a 1 second shutter speed. Switch to ISO Auto.

Create: Walk about the house, when something catches your eye stop and rest with what it is. Using your chosen camera technique consider the best Point of View (PoV), remember you will only have 20 photos to create, so be certain that you have the most interesting framing and press the shutter.

Review: Look at the photo. Maybe it is perfect in its own way, but if not be kind to yourself and attentive to possible improvement. Maybe the photo did not quite come out the way you imagined. Consider what changes you could make to create one more photo of the same scene. These changes could be technical or compositional.

Adjust: Make the changes, but before your press the shutter remember that this is the last time you can create a photo of this particular scene. Yes, this is a limitation, a maximum of two photos of any one scene. Consider your PoV again, check the frame, check your technical choices. Press the shutter and move on.

Now that you understand the creative process you will be following, choose a music album to have playing whilst you wander about the house (and turn it up!).

The Activity

  1. Prepare your favourite camera and lens.
  2. Choose an inspirational, favourite album to play loud.
  3. Allocate the time it takes the whole album to play for the activity.
  4. Remember that you are only going to create 20 photos in this time.
  5. No deleting.
  6. Wander about your house not looking for a photo, but attentive to creative possibility. Look for colours, shapes and lines.
  7. Do not look for objects, look at what is there as if you were a camera and did not know the name of anything.
  8. Follow the ECRA instructions only creating a maximum of two photos of anyone scene.
  9. Take your time. Have fun. Be experimental. It does not matter how the photos turn out. There will be some that you love. Share one of those in the Photography for Well-Being Facebook group or here

Here are a couple of my favourite photos from my practice

Urban Exploring

In preparation for a new photography activity for my new book – Photography for Well-Being – I have been experimenting with urban photography. I am using this term instead of street photography because it has more of an urban landscape approach, rather than activity of the streets. But it could perhaps be either.

The photography activity is called going to be called ‘urban love’ and centres upon scenes from your favourite urban environment. So that could be a town, city, village or hamlet. I’m separating it from industrial photography, as that is more landscape related and maybe a separate activity.

My first practice was in Swansea, where I have lived for over 30 years. I chose a sunny day and had in my intention a desire to create photographs of elements of the city that I love. I struggled. Maybe it was the day, the light or the lens choice, or all three. Obviously, more practice was required.

So a couple of days ago I went walkabout in my girlfriend’s home town of Porth. Porth is a small Rhondda valleys town, in fact it is known as the gateway to the Rhondda Valley. Like many South Wales towns and villages it has struggled over the last 2 or 3 decades. The closure of local coal mines and more recent austerity impact has left its mark.

However, despite it being a gloomy, dull day and the challenge of the urban environment, I enjoyed the practice and created a few photos I liked. Which is all that is required. A key feature of the difference is that I went with an open mind, no overarching intention, just to create interesting photos from what I saw. I shall be taking this approach back to Swansea and the new activity. Anyway here are my favourites.

 

 

Weather or not

On a murky, wild day the nagging thought that I needed to leave the house was insistent. That I could combine it with photo creation was obviously a foolish idea. Who goes outside with their camera on a bad weather day? And yet…… photo creation, plus violently fresh park air, plus gentle exercise seemed like it would be a boost to my somewhat low mood. In fact, during this photo activity I realised that is was at the heart of why I do this and how this combination of creativity, physical movement and the outdoors is the foundation of photography for well-being. Not a bad return: from gloomy stasis to an epiphanous moment.

The actual photo activity experience was quite simple. I combined it with a purpose – which in hindsight was helpful, if not essential. I didn’t need to visit the hospital for blood tests that day, I could have done it any day of the week. However, the walk to the phlebotomy clinic is through my local park – Singleton – a green oasis, even in the howling drizzle, and that meant I could experience nature at almost full force.

Before leaving I prepared myself; appropriate clothing to protect myself and my camera. I have been known to use a plastic bag and elastic band to protect my camera from heavy rain, but this wind driven drizzle led to a decision for a large, warm raincoat that I could fit my camera inside when it was not being used. I set the camera up in my usual 50mm lens, aperture priority, f7.1 and higher than usual ISO of 1600 – it was very gloomy. Before I set off I was assessing the weather through the front window and realised my first photo was right in front of me. The myriad rain droplets racing to the bottom, a salutary reminder that it was wild out there, and off I set.

The walk to the hospital is through a couple of areas of the park – the main drag to Uni, frequented by umbrella wielding, inadequately clad students – and the ‘Ornamental Gardens’, an attractive, defined area with a larger variety of trees, shrubs and plants. However, on the walk I was drawn to the impact of the wind and rain, its raging though the trees, bushes and paths, and its creation of new rivulets tumbling into growing streams.

Whilst I was giving blood the nurse, spying my camera asked, “What are you taking photos of in this weather?”

“Oh, the rain, puddles, rain in puddles, wild trees, people dodging through the rain. The usual.”

However, creating photos in bad weather is challenging. Not only are you trying to protect your camera, it is a reminder that every photo must be technically correct, and in the gloomy light, and even darker wooded areas this is tricky. Each potential photo had to be checked for shutter speed, rather than take for granted that the camera would sort it out. This led to slower photography, (something I advocate), thoughtful composition and wise technical choices, all laced with the desire not to get too wet.

That I noticed all this is the point. Paying attention to the creative process doesn’t just result in your desired outcome, it charges the practice with positive energy. The act of engaged creativity is enlivening, an essence of life. Taking elements and shaping them into something else is beneficial fuel for the soul. In the face of such positivity and surviving the sodden, windswept traverse, I returned home, refreshed, alive and engaged.

 

Cartier-Bresson was a Mindful Photographer

“Photography is putting one’s head, one’s eye and one’s heart on the same axis”
Henri Cartier Bresson

I do love this quote. Not only does it summarise my view of photography beautifully, it has also been an inspiration for my development of a mindful approach to photography.

Henri Cartier Bresson was a French photographer who is generally regarded as the father of photojournalism. He was an early user of 35mm, which with his rangefinder Leica and 50mm lens attached allowed him to develop his candid style of street photography. He is perhaps most famous for coining the phrase ‘the decisive moment’, to describe the optimum time to press the shutter.

This quote neatly encapsulates the key aspects of outstanding photography and is worthy of a brief analysis.

The Eye

What we see through our eyes is light and colour. Our eyes do not know what it is that they see. In that way they are very much like the camera, they record the light. They do not label what they see.

Our eyes also see like a combination of two lenses. They have a focal length similar to a 50mm lens, but with far wider angle of view. Our peripheral vision gives us the view similar to a fish eye lens – but without the severe distortion.

All of this sensory information is passed instantaneously to the brain, and that is where the trouble starts!

The Head

By head, we mean the role of the mind in photography. Its primary purpose is to interpret all of the visual information provided by the eyes. This is to keep us safe, identifying potential threats and potential sources of food. Except when we train to be photographers all of that identification and labeling can get in the way of seeing what is really in front of us.

The features before us are the light, colours, shapes, forms, lines, space, patterns and textures. Our mind receives this visual information and in a snap compares this to known similar visual data and labels the object(s). All very useful on the Serengeti Plains when out hunting, but as a photographer creating a great photo it is the features that we need to see before the label. For it is this that will guide our artistic creation through compositional choice.

So how can we learn to forget the names of what we see and truly see everything, and every possibility? Practice. In the books I have available I share practices that can help to develop this ability.

The Heart

The heart is used here to signify the emotion of a photograph. If we are to create photographs that rise above the ‘good’ to be ‘great’ we need to engage the heart. Both ours and the viewers. How can we do that? Guess what? I share some of the foundations of how photographers first attempted to do this, and some useful mindful practices to support your development as photographers in my books.

If you are intrigued why not download the free eBook below and then you’ll get some great information, and 9 Mindful Photography Practices. These will help you to develop mindful attitudes: Patience, Beginner’s mind, Non striving, Trust, Letting Go, Acceptance, Non Judging, generosity and Gratitude. It’s a win-win!

Understanding how mindful photography can help

Over the last few years I have slowly come to the realisation that it is life that is the practice. Every aspect, every element, every event, every difficulty provides opportunity to be with how it is and respond skillfully. That is for me, the heart of mindfulness. It is not just a practice, but a way of life. The practice is life. Life is the practice.

It is helpful to reflect on a current definition of mindfulness.

“Mindfulness isn’t just about knowing that you’re hearing something, seeing something, or even observing that you’re having a particular feeling. It’s about doing so in a certain way – with balance and equanimity, and without judgement. Mindfulness is the practice of paying attention in a way that creates space for insight.” Sharon Saltzburg

Sharon Saltzburg perfectly distils it down in that final sentence. ‘Mindfulness is the practice of paying attention in a way that creates space for insight.’ The ability to do this, to be this way, is born from daily meditation practice and a commitment to pay attention to each moment of the day. It is the paying attention that is difficult to maintain. Meditation is the training ground. We sit and we pay attention to our mind leaping about. We use an anchor (breath, sound, sight) to come back to ourselves in the moment.

Modern scientific understanding of the brain’s functioning helps us to understand how meditation creates neural pathways which we can then use throughout our day to support our intention to pay attention. If you’re interested in this concept take a look at this simple explanation of neural plasticity

My own experience of meditation and mindfulness echoes this. I have had a daily practice for several years. Only in the last couple of years have I started to notice it infiltrating the rest of my life, as I have slowly developed the ability to pay attention more often in the rest of my life. Of course, I regularly fail. I fall back into old behaviours, habits and ways of thinking. I know why; those neural pathways have been around longer. I often liken them to motorways. I’m used to using them and they get me places quickly. Or so I imagine.

The intention to practice paying attention throughout my life has a simple goal. Sharon Salzburg called it creating space for insight. Another Mindfulness guru, Jon Kabat-Zinn, talks about us developing the ability to respond skillfully, rather than reacting habitually. I intend to continue to develop my ability to be with each moment, fully accepting how it is and responding skillfully. That is the life practice!

So if that is the intention how can a Mindful Photography Practice help?

Mindful Photography Practice

I meditate daily, walk mindfully occasionally and intend to follow a mindful photography practice once a week. Any activity can be an opportunity to practice mindfulness, to practice and develop the habit of paying attention. As Mr Kabat-Zinn says, “Applying mindfulness to any activity turns it into a kind of meditation.”

I generally keep my practice simple and I’ll explain what I do and how below.

Camera and lens choice

Firstly, I always use the same camera and lens set up. I favour a prime lens that echoes how we normally see. A 50mm focal length or equivalent is the way to go. My current camera, the Fuji XT2, has a crop factor of 1.5. so a 35mm lens is equivalent to 52.5mm on a full frame sensor. (Confused? get a simple explanation here….and then check out your camera a lens combination here. Warning: you’ll need to know your sensor size.)

If you use a zoom lens that’s fine. You can carry on using it as is, or you could tape it up at the 50mm equivalent and just use one focal length. Why do this you ask? If you use just one lens regularly and it is similar to how you see, it will support your ability to create photographs that are similar to what you see. Wide angle and telephoto lenses distort the photo. For me the essence of the mindful photography practice is to represent what I see and how I see it.

Camera set up

My regular set up is Aperture Priority with a mid range aperture as my walk about position and ISO appropriate for the light. The basic intention is to choose a simple set up from which I can create photo that represents what I see, that is exposed correctly and with a good depth of field. If I want to make creative choices about depth of field, focus, white balance etc I can do so mindfully from this position. After creating the photo I then return to the original camera set up.

Four Stage Seeing Practice

My own Four Stage Seeing Practice is the anchor for a mindful photography practice. This involves coming back to what I see every time I notice my mind has gone elsewhere, much in the same way as you return to the breath when meditating. The four stages are Anchor, Seeing, Resting and Creating. I explain them fully in my book – Mindful Photography: How to use photography to develop mindfulness

Time

I generally practice for an hour, choosing to walk around a location and just notice what I see. The heart of the practice is to not look for a photo opportunity. That may sound contrary. After all I do expect to create some photos. My suggestion to you is, don’t look for a photo, just observe what you see. The photo will come to you.

If you practice this regularly one day this simple instruction will become part of how you photograph and you will have established a mindful photography practice as part of your intention to live a mindful life. Until then keep practicing!

 

A Mindful Photography Practice

In my new eBook – Mindful Photography: How to use photography to develop mindfulness (published later this month!) I share 16 Mindful Photography Practices. Each one is designed to hone a photography skill and develop mindfulness. I promised to share one from the new eBook so here it is.

Mindful Photography Practice – Ordinary Beauty

This activity was inspired by a quote from John Updike who encouraged us to “give the mundane its beautiful due.”

The intentions of this practice are to slow you down, improve your seeing and to create some visually stimulating photos of an ordinary subject. Once again though, whilst the photos are your outcome, the primary focus is in developing your ability to see what is in front of you. The practice is the thing, not the outcomes. Take your time. There is no time frame for this activity. Attend to the visual: the light, shapes, colours etc. Practice seeing like a camera.

  1. For this practice it is helpful if the viewscreen is not available for review. All digital cameras allow you to control whether the photo pops up after you have taken it, and how long it stays on the screen. This can be turned off. Then you can use to screen to compose your photo, but you can’t see the result.
  2. Set your camera to a mode that you are familiar with and you can use instinctively. Auto is great.
  3. Use the camera at one focal length. Do not zoom in and out.
  4. As you walk through your location do not look for a photo. Observe what is around. Wait for something to catch your eye, then stop and create a photo.
  5. Do not look at the photos you create. Notice your thoughts.
  6. Choose a subject that could be described as ‘boring’. A vehicle, building, room, sink, bicycle, chair, staircase, escalator etc.
  7. Walk all around your subject following the 4 Stage Seeing Practice.
  8. Wait for that flash of perception.
  9. Get really close.
  10. Frame really tightly.
  11. Do not include anything extra.
  12. Move your body. Change your point of view. Get high. Get low. Get interesting.
  13. Create up to 20 photos that challenge the viewer to identify the object.
  14. Finish the activity, sit quietly and review your photos.
  15. Share your favourite photo.
  16. Repeat the activity with another subject.

More Mindful Photography Practices

There are more Mindful Photography Practice available in my free eBook. Do download it!

10 tips to slow down your photography

Mindful Photography in action

Digital Photography is fantastic. Its ability to capture what we see and allow instant review has revolutionised photography. It has changed how we create photographs and how we edit them. But perhaps the most fundamental change is that it has supercharged the creation of a photograph. Photographic creation and sharing is now like a Ferrari 812 Superfast. Back in the film days it was more like a classic mini.

Now, using a digital camera you can take eight photos per second. Take fifty of a scene, review them instantly and discard the ones you do not like. It is this that has fuelled a disconnect with the experience of what you see. You know that you can take lots of photos, at no cost and reject all the ones you don’t like. You pay less attention to what you are seeing, and crucially how you are framing the photos.

By applying mindfulness to photography you connect through the visual to the present moment. You walk with your camera – not looking for a photograph but noticing what you see – everytime you notice your busy mind, you return to what you can see in front of you. The seeing becomes your anchor, just like the breath when you meditate. This also has the potential to improve what you see and how you see.

The practice of clearly seeing everything that is in front of you is something that you can learn and develop. You can learn how you see. You can learn how you interpret light, colour, shapes, forms, textures and patterns to make sense of the world; and you can begin to understand how a camera represents the same scene. Then, with practice and contemplation of the photographs you create, you can begin to hone your ability to create photographs that represent what you see.

Maybe you still hanker for that classic mini experience. We are currently experiencing a growing interest in film photography. Perhaps there are elements of that slower pace, more engaged process and almost ritualistic nature that we are missing from the digital experience. However, there are ways of experiencing a film like experience with your digital camera, ways of slowing the process down and re-introducing some ritual.

In a desire to provide you with techniques to connect you with the creative experience, I offer you the following 10 tips to slow down your photography. This slowing down is a fundamental element of becoming more mindful with your photography, of becoming a Mindful Photographer.

10 Tips to slow down and connect with your photography

  1. Turn off your review screen or tape a small piece of card over it – Just like a film camera you can’t see what you have just created. This assumes you have a viewfinder to compose the photo. If  you don’t you could still follow this tip and shoot blind, imagining what your camera is receiving.
  2. Limit the number of photos you create – go filmic with a 12, 24 or 36 limitation
  3. Use a small packet of sweets or nuts to count/remember the number of shots you have used – Count them out before you start. As you can’t see the screen (Tip 1) use 12, 24 or 36 sweets/nuts in a little bag. After every shot eat one sweet or nut. It’s a win win!
  4. Limit your location area – Combined with 1, 2 and 3 this encourages you to really notice what is around you. Limit the area to a 100 meter square area, or less if you are feeling bold.
  5. Turn your lens into manual focus – Turn off the auto focus. It is a great art re-learning how and where to focus, and it also slows you down!
  6. Shoot from the hip – Now this one could actually speed you up. But if you hold your camera at your hip, and compose by imagining what your camera can see, you will slow down. Especially if you combine it with 1 and 2.
  7. Return to the visual – Whenever you notice your mind thinking about your next meal, tonight’s activities or some aspect of photographic skill, STOP and return to what you can see in front of you.
  8. Do not download or look at your photos for at least 2 days – Back in the film days we had to wait. Unless you were developing your own film, but even then it took time. I used to send my film off for developing and then wait a few days before looking through the returned photos, hoping at least one was a keeper. So, wait for a few days – at least 2 – before downloading. When you do look through them, pay attention to your thoughts and feelings. Notice the judgement and the commentary.
  9. Set your own mini photo marathon – Randomly choose 4 words, set aside 4 hours and create 4 photos in order, to represent the words. Photos must be in the word order and you must finish with only 4 photos. You could limit and slow yourself even more by ONLY shooting 4 photos. No deleting.
  10. No deleting allowed – Closely linked to number 2, do not allow yourself to delete any photos. Knowing that you cannot delete will encourage choice: whether to photograph or not, and this will slow you down.

PS The three photos accompanying the post follow some of these tips

Who Am I Now Course – Week 5

This week began the final half of the course with an exploration of how we are living now.

Often we live attached to an image of ourselves from a few years earlier. Most of us like to imagine that we are younger than we are and not admit that we are getting older. This gentle but relentless change is a challenge to us all.

However, if we experience a major change that includes a significant loss then the adjustment to this life event is even more challenging. All of the students on the course have experienced a major loss. Brain trauma happens immediately and life is unlikely to ever be the same again.

Any major loss in our life: health, relationship, loved one, job, career leads to grief, and a cycle of adjustment we know as the Grief Cycle. We may well know that the stages are Denial, Anger, Bargaining, Depression and Acceptance. We may also know that they are not linear. However it is unlikely that we will find it easy to live.

Photography provides a means by which we can create photos that illustrate how we feel. It also can be used on an ongoing basis as part of an exploration of how we are experiencing our life. Next week we will be looking at one of the engines of our struggles to adjust to great loss: fear.

After a long discussion about change, loss and grief, an opportunity to reflect how this made us feel was required. The Mindful Photography Practice we all did invited the visual contemplation of a tree, and the creation of photos that illustrated how we felt. Everyone took their time and then shared their favourite photos, and why they had chosen them with the group.

Here they are.

My favourite place is right here right now

The photo above was my one of my first thoughts for an image that represented a Favorite Place. It suggests that I have been out with my camera, creating photos and have now settled to review the photos whilst consuming a quality cup of tea and possibly the best Apple Cake in the world!

Firstly, you want to know about the cake, I know. It’s provided at Brynmill Coffee House, my local café. A little stop on the way home after a stroll around the park. Secondly, the photos – they follow at the bottom of this post, or a favourite few do. They’re from this morning’s practice, actually in a park in Porth – nowhere near the café. That’s artistic licence for you!

My second thought, after some reflection about what made a favourite place was a connection with mindfulness. It was the moment of creating this blog post that provided the inspiration. For whilst I do have special places that I love, and people that I love to be with that turn any place into a favourite place (you know who you are), the present moment is my favourite place of all.

If I am totally present in this moment then I am really here. Completely inhabiting my mind, body and place. I am completely immersed in the one thing that I am doing. I am aware of the sights, sounds and smells. I am tuned into the thoughts whizzing through my mind and occasionally when I notice this I remember to connect back to what I can see, or the ground under my feet.

Sometimes I am present enough to be aware of how I feel. As an English middle aged man this ability is a work in progress! But supported by my photographic practices, meditation and mindfulness practices it is developing.

This morning I went out to practice mindful photography originally with the intention of creating photos whilst I was experiencing feelings of uncertainty. However as soon as I got outside in the sharp morning air and brilliant sunshine those feelings dissolved and I was there, present with the day, my camera and my dog. Another favourite place.

Mindful Photography Course – Week 7

The home stretch! This penultimate session carried on with our consideration and development of mindful attitudes through photography and we started by reviewing the photos created by the students for their homework. After that we looked the mindful attitude of Beginner’s Mind, before setting more homework around Acceptance.

Homework – Rightness and Wrongness

Last week I finished by setting the students a mindful photography practice for homework. The goal of the practice was to notice our habit of judging our life experience. We are constantly evaluating how the world is treating us, and this usually manifests as a judgement that we either like or dislike what is happening.

From this habit we then try to repeat the things we like and avoid or deny the things we dislike. All perfectly reasonable you might think, that is how life is, but not always helpful when we can’t control what is happening and we are looking to reduce the stress in our life.

There is a middle way. A noticing that we have made a judgement, taking a few breaths and being with how it is. Feeling those emotions playing out in our body. Noticing the thoughts around avoidance creeping in. And breathe! Slowly the feelings and thoughts will soften and then dissolve.

It is a lifetime’s practice, but how can we work with this habit photographically? We make the same judgement about every photo we create. We either like them or dislike them. What if we were to create photos that were good or right and another set of the same scene that were bad or wrong?

Can we look at the different photos of each subject, notice how they make us feel and consider whether sometimes the wrong photos are more interesting than the right ones. What you need is some photos to compare. Below you will find the pair that each student chose to share.

Beginner’s Mind

The cultivation of a beginner’s mind is an intention. We resolve to receive each moment as if it was the first time we experienced it. (Which it is!) We imagine that the sensory information we are experiencing is fresh and new to us. We really notice what it is that we can see, feel, smell, touch and hear.

When we are sat meditating the object of this intention is often the breath. To sit and experience the breath as if for the first time is to alert our senses to where and how we feel the breath in our body. Its cool entry at our nose. The gentle rise and fall of our stomach. The subtle expansion of our chest. The sharpening of our senses brings us into the experience and roots us in the present moment. To expand this practice into other areas of our day and life supports our intention to be mindful.

The trick is taking this sensory experience and developing it in situations and environments that are familiar. This is a re-tuning of our senses. A conscious decision to notice. We may choose one particular sense to work with or simply remain open to what our senses reveal.

The very essence of this practice brings us into the moment, encouraging our presence within our current experience. In photography this can be explored as part of a mindful photography practice. Our intention within the practice is to notice the visual experience as if for the first time. And that is what we did!

Each student was encouraged to return to a location they had used before and to imagine that it was the first time that they had been there. Then to create some photos that represented that experience. Below you will see each student’s favourite photo from their mindful photography practice.

Homework – Acceptance

I finished by introducing the mindful attitude of Acceptance and then set the students homework around this challenging area. To find out how they got on call back next week!

 

Zen reasons to love photography

What is Zen?

“To study Buddhism is to study the self, to study the self is to forget the self.” Dogen Zenji

OK, let’s start with a definition. Or let’s not! For that’s how slippery Zen is. For there are those that suggest that defining Zen is like describing the taste of honey to someone who has not tasted it. Sure you can relate it to other things, explain its texture, its colour and so on. But to taste it is the experience. The only way to know what it tastes like is to taste it.

It’s the same for Zen, it is an experience. But perhaps a little explanation would help. Here’s one from the website Zen Buddhism.

“At the heart of the Japanese culture lies Zen. Zen is, first and foremost, a practice that was uninterruptedly transmitted from master to disciple, and that goes back to the a man named Siddhārtha Gautama – The Buddha – 2500 years ago in India.

The practice of Zen meditation or Zazen is the core of Zen Buddhism: without it, there is no Zen. Zen meditation, is a way of vigilance and self-discovery which is practised while sitting on a meditation cushion. It is the experience of living from moment to moment, in the here and now. Zazen is an attitude of awakening, which when practised, can become the source from which all the actions of daily life flow – eating, sleeping, breathing, walking, working, talking, thinking, and so on.

Zen Buddhism is not a theory, an idea, or a piece of knowledge. It is not a belief, dogma, or religion; but rather, it is a practical experience. Zen is not a moral teaching, and as it is without dogma, it does not require one to believe in anything. A true spiritual path does not tell people what to believe in; rather it shows them how to think; or, in the case of Zen – what not to think.”

All clear now? Mmmm, I know it’s slippery. But at the heart of that definition is the knowledge that it starts with just sitting and extends out to all aspects of your life. Zen is mindfulness. It is the practice.

Perhaps the real question is why am I banging on about Zen?

Why Zen?

I will be very clear here. I am no expert, but I do believe that there is great merit in a Zen approach to photography. What do I mean? Zen is experiential. Zen is full and complete presence. Zen is paying complete attention to your present experience.

Everything I read about Zen reminds me of my mindful approach to photography. The foundation of Mindful Photography is clear seeing. Using what you see as your anchor, the thing that you return to whenever you notice that your busy mind has taken you into the past or future. In fact the 4 Stage Seeing Practice (that I share at all my workshops and courses) has as its first and second stages very Zen like features.

Stage 1 is all about anchoring yourself in the moment. It is a meditation upon your presence at your location. I encourage an awareness of the sights, sounds, smells, touches and what you can hear. This brings you into the moment. But it is Stage 2 that is most Zen like.

Stage 2 is all about the seeing. But it in the instruction that the challenge lies. I ask you to walk, to observe what you see, but not to look for a photo. It is this instruction that causes most confusion and resistance. After all why should you not look for a photo? That is what you are doing, looking for things to photograph.

Yet if you do not look, you will see more. How can that be? You will not be so limited by your mind’s interpretation of what would make a ‘good’ photo. If you keep yourself open to possibility, you may begin to dissolve that very strong drive of your mind to present you with things that you are familiar with or interested in. If you remain open and aware of this drive you may see more. You may see things that ordinarily you would have missed.

Of course what makes this practice most Zen like is that you will read this and you may not understand. It is experiential. You have to do the practice with the intention of following the instruction and an awareness of your mind’s tricks. Only then will it begin to make some sense when interesting sights present themselves, or you create a photo that in some way resonates with how you were feeling when you were there. A deeper connection develops and infuses your photos.

Zen Camera

David Ulrich has written a fabulous sounding book Zen Camera: Creative awakening with a daily practice in photography which is due out next March. He is an active photographer and writer whose work has been published in numerous books and journals including Aperture, Parabola, MANOA, and Sierra Club publications. Ulrich’s photographs have been exhibited internationally in over seventy-five one-person and group exhibitions in museums, galleries, and universities.

Here is a little bit about the book. Mine is on order!

“A beautifully illustrated guide to developing a daily photography practice that draws on mindfulness and Zen Buddhism. ‘Zen Camera’ is a photography and mindfulness programme that guides you to the creativity at your fingertips – literally – requiring nothing more than your smartphone or any other type of camera. You’ll learn how to use the camera in your pocket to explore self-expression as a photographer and produce photographs that are both wildly beautiful and unique. Gorgeously illustrated with full-colour photographs, David Ulrich’s lessons combine mindfulness principles with concrete exercises and the basic mechanics of taking a good photograph. He guides you through a programme of taking photos every day and also offers insight into the nature of seeing, art and attention.”

PS The Photos

The photos were all created during a Mindful Photography practice that centered upon a consideration of my Point of View. As you might be able to tell I created the photos on a wet day in a children’s play park (in autumn of course!). I spent around 30 minutes slowly walking around the space stopping at each piece of equipment to consider how I could create an arresting photo. Did I succeed?

15 tips for your next retreat

I try to schedule 3 retreats a year. These are a time when my intention is to slow down and be present. I sometimes have a goal, often something creative, but the intention is the foundation.

There are all types of retreat possible, but at the heart of any ‘spiritual’ retreat is “a period or place of seclusion for the purposes of prayer and meditation” (Oxford Dictionary). It is possible to do guided retreats with others or choose solitude. Many retreat centres welcome all faiths and beliefs, whether you consider yourself a participant in that belief system or just want to be somewhere peaceful and safe.

I choose to follow a solitude retreat at Llannwerchwen Retreat Centre. This centre is situated in the hills north of Brecon, Wales and is run by a Catholic order. Whilst they do offer support and guidance they also welcome everybody to use the space and accommodation for solitude retreats. I only ever see the people running the centre at the beginning and end of the retreat.

I have visited many times over the last ten years. I have witnessed the bare bones of winter and sneezed through the vibrancy of spring. I have been sunburnt in high summer and most recently experienced the onset of autumn. Each visit brings a different experience. Some of those experiences are coloured by the accommodation allocated, its view and feel. Others are influenced by what is on my mind when I arrive, but always they are shaped by the choices I make whilst I am there.

So I thought I would share a few ideas that I believe help support the possibility of a beneficial (solitude) retreat. This knowledge has been gained the hard way! For every tip below I have done the opposite. I don’t claim that the list is perfect, every experience will still be different, but these tips support the potential for an enriching experience.

15 Tips for a beneficial (solitude) retreat

  1. Set an intention. This is best kept simple. For example, to slow down or to be completely quiet. It is not a goal – something you have to achieve – this is to be a way of being whilst you are on retreat.
  2. Turn your smartphone to airplane mode. Set the ‘vacation responses’ on your email and text and still be able to access those talks by wise guides that you have pre-saved. It will remain a temptation to switch back on, but all aspects of a retreat require discipline, this is just one other. The hardcore alternative is to leave your phone in the car or at home!
  3. Be self sufficient. Bring with you all the food, drink, toiletries, reading material, arts equipment and other props that you require. But be lean with your choices, always ask yourself, ‘Do I really need this?’
  4. Don’t drive anywhere. Leave your car in the car park
  5. Exercise. Walk in nature, slowly paying attention to the sensations you experience. Do gentle yoga.
  6. Meditate. Commit to a regular meditation practice (maybe morning and night) and integrate other mindful practices: walking, washing up, art, photography. Centre upon the development of concentration.
  7. Get creative. Take the materials for a creative outlet. The quieter and more rested you get the more likely your creativity will be sparked. Try painting, drawing, colouring, sketching, writing or photography. The quieter and less stimulated you want to be the less of these things you will take.
  8. Eat well. Cook wholesome fresh food with quality ingredients. Use the preparation, cooking and eating as a mindful practice.
  9. Contemplate. Sit in nature or in your accommodation in complete silence doing nothing, maybe enjoying a hot mug of your favourite beverage.
  10. Limit sound. Choose whether your retreat will be in complete silence or if you will be supported by dharma talks or similar. Try not talk to yourself (out loud or in your head). This is particularly difficult initially.
  11. Take with you…. A flask, water bottle, pens, paper, colours, camera, inspirational reading, appropriate seasonal footwear. The quieter and less stimulated you want to be the less of these things you will take.
  12. Pay attention to how you are each day. Be aware of your sensations, your thoughts and your feelings. These will guide wise choices.
  13. Read (if you have to) that which will support your intention. Not material that will agitate.
  14. Be gentle with yourself. Be compassionate for your experience. Everything is possible. It is all passing through.
  15. Ease in and out of the retreat. Think about how the phases before and after can support your experience.

Here are a few of my favourite photos from my recent retreat

 

Generosity

Generosity is regarded as a mindful attitude. Jon Kabat-Zinn added it to his initial list of seven attitudes that are found in his book Full Catastrophe Living, along with gratitude. How is it now seen as a mindful attitude and how can you develop the attitude through your photography?

What is Generosity?

Generosity is defined as the quality of being kind and generous, and it is a key element of many religions. In Christianity it is known as charity and we are told that ‘it is better to give than to receive.’

In Buddhism it is known as dana: it is the practice of cultivating generosity and is seen as a perfection.

In secular circles it may be described as philanthropy – ‘the desire to promote the welfare of others, expressed especially by the generous donation of money to good causes’ – in the hope of building a better world.

Recently the scientific community have become interested in the act of generosity. The University of Notre Dame has conducted the “Science of Generosity Initiative” to explore the relationship between generosity, happiness and well-being.

The Paradox

I do love a paradox, and human life is full of them. Could it be that generosity provides another? Could it be that when you don’t hold on tightly to what you perceive to be yours that it makes you richer than hanging on to it?

How would it be if you cultivated an attitude of abundance that there would always be enough for you if you gave some away? Does that thought fill you with fear? Fear of not having enough. I know that it does me. And yet I always seem to have enough. Somehow something turns up to plug the gaps. This requires an attitude of abundance instead of scarcity. A belief that there will always be enough.

Such an attitude requires fearlessness. It requires you to rise past the fear that you will not have enough. For this fear generates  greed, selfishness and stinginess and if you are to be generous an attitude of abundance is the foundation stone.

True Generosity

True generosity requires a non attachment to the outcome. There is an intention to give freely without attachment to how your gift is received. This then cultivates a freedom from ego and connects us to humanity. You become less centered on me-me-me and more open to the fact that you are part of the whole. Part of humanity. Part of Earth. Part of the cosmos. After all everything is made of the same stuff, stardust.

Applied to Photography

There are two ways in which you can cultivate generosity through photography.

  1. Give your photos away for free. Now I know that this is contentious and that it runs contrary to contemporary thinking about copyright, but most of us create good photos rather than great photos. I understand that those who regularly create great photos, and earn their living that way may not want to give their work away (perhaps they would consider option 2 below). But the rest of us mere mortals create millions of photographs a day. (In 2015 it was estimated that 80 million photos were uploaded to Instagram every day! InfoTrends’ most recent worldwide image capture forecast estimates consumers will take 1.2 trillion photos in 2017.) Why not set yours free?
  2. Donate your skills, knowledge, time or money earned from photography. Why not shoot a friend’s celebration or event for free, donating your time skills and photos? Why not print and frame one of your photos and give it to a friend or relative who expressed how much they like it? If you are a professional why not offer a small part of your time and space to instruct others in an aspect of your photography? If you earn your income from photography why not donate a small, but regular amount of your income to a related charity?

Now I freely admit that I do not do any of these things regularly. I do occasionally offer my services for free or very low rates when I know the recipients cannot afford much. I do struggle with that abundance vs scarcity thought. However, I have a commitment to continue cultivating this attitude and will be looking to how I can offer some of my future online photography courses for free, as well as continuing the practice throughout the rest of my life.

Have I inspired you to cultivate your attitude of generosity?

In my element

Today I decided to follow a Mindful Photography Practice in response to this week’s Word Press Photo Challenge Elemental. This weekly topic encouraged us to respond to the four key elements: Air, Water, Earth and Fire. I decided that this would be most appropriate for me at the beach, as I live only 15 minutes drive away from one of the top beaches in the UK – Three Cliffs, and I would be in my element. I love the beach!

Air

As I wandered camera in hand I stayed present with the visual panorama and noticed my mind nagging at the difficulty of photographing Air and Fire. My response was to let the thought pass and return to what I could see. Then I looked up. The first photo of this set seemed an appropriate response to Air. Not only was the invisible visible in its movement through the clouds, our own contribution to the element, in the form of pollution was clear.

mindful photography - air

Water and Earth

At the beach it seemed apposite to include the Water and Earth together in a photo. After all is it not this interaction, wave on sand, that we most love at the beach? My favourite photo on this theme included me, foot and shadow, paddling through the warmish shallows. Though there were a couple of others I was quite drawn to as well.

mindful photography - water and earthmindful photography - water and earth mindful photography - water and earth

Fire

Of Fire there was none. I entertained storming someone’s barbecue and getting down low and close to capture the burning coals, but that idea seemed too ridiculous. It was only when I finished and reviewed my photos that I realised that I had a symbolic representation for Fire in the blazing lichen. Which of course also responds to Earth too. You can almost see the fire bursting through the cracks in the earth, like at the edge of volcanic activity.

mindful photography - fire

Finally

At Three Cliffs it is almost always necessary to visit the passage between two areas of the beach. This sea worn arch presents a teardrop view of the beach and its base looks different each time you visit. The tide takes and deposits sand, changing the passage base throughout the seasons. It seemed an appropriate watery and earthy note on which to complete this set.

 

 

 

 

Weekly Mindful Photography Challenge – Simple

Every week throughout the summer I will be posting a photography challenge that is designed to bring you into the present moment. They can be completed with any camera, even your phone. Your favourite photos are posted to our Facebook group, which is a public group so that you can invite your friends to join in.

This week’s mindful photography challenge is ‘Simple’ and is an invitation to create one photograph that illustrates the theme. It could be a photo that uses simplicity as its compositional guide, or it could illustrate the standard definition ‘easy to understand’ either directly or using a metaphor/symbol. There that’s given you something to think about. Just keep it simple! My photo below takes the first approach and was created today in the park to illustrate this post. I only created two photos. One for this post and one for next week’s.

When you go out to practice imagine that you can only create one photo. Walk around your chosen location. Observe your surroundings. Wait until a photo opportunity grabs you. Look at what stopped you and why. Consider how you will frame it (what is in the frame and what is out?) Consider how your camera will see the scene. Then create one photo.

Share your favourite photo here.

Weekly Mindful Photography Challenge – Shape

Every week throughout the summer I will be posting a photography challenge that is designed to bring you into the present moment. They can be completed with any camera, even your phone. Your favourite photos are posted to our Facebook group, which is a public group so that you can invite your friends to join in.

This week’s mindful photography challenge is ‘Shape’ and is an invitation to create one photograph that illustrates the theme. It could be a photo of an actual 2 dimensional shape (as distinct from form which is 3 dimensional) or it could be a shape create by the elements in your photo. My photo below takes the latter approach and was created whilst following a Mindful Photography practice. I do have a bit of a thing for triangles in my work. How many can you see in this one?

When you go out to practice imagine that you can only create one photo. Walk around your chosen location. Observe your surroundings. Wait until a photo opportunity grabs you. Look at what stopped you and why. Consider how you will frame it (what is in the frame and what is out?) Consider how your camera will see the scene. Then create one photo.

Share your favourite photo here.