I have recently changed my camera system. After more than ten years as a Canon DSLR gunslinger I have traded everything in for a Fuji mirrorless system. What’s all that about then? Why choose to make any change? And why choose that change?
I am living through a period in my life of great change. I have made some choices, choices to live in a certain manner, that have sent ripples through my life. These have primarily impacted upon my relationships and livelihood. What I have noticed, in that process, that once you start with major change not only does each change have fundamental consequences, there is also a burgeoning desire to make other changes.
Whilst changing camera system might seem unimportant in itself, it is related to the life changes and could be seen as a metaphor for them. I have changed to a simpler, lighter, smaller system. In making the change I have had to ask myself what is important in creating photos? What do I need to achieve that? The outcome is one Fuji XT2, the kit lens and one prime lens – the 35mm f1.2.
Those choices are about portability and focal length preference. They are born out of experience. Experience and knowledge of how I work best. How I see the world. And it is in this respect that it is a choice that chimes with my other life choices. Simplifying and responding to what feels real, authentic and true.
So there I am with my new shiny new camera. And just like starting a new job or primary relationship there is unfamiliarity and uncertainty. I breathe, return to myself, and remember that there is something in the creation of an abstract photograph that calls to me.
It is worth reflecting for a moment what abstract art is. It is defined as relating to or denoting art that does not attempt to represent external reality, but rather seeks to achieve its effect using shapes, colours, and textures. Its effect is that in losing your clear link to an identifiable object you connect with how the photo/art makes you feel. This feeling is conveyed by the use of colour, shapes, colour, texture and the other visual elements of design.
In this process the artist can express how he feels, though how the viewer feels when viewing the photos may be different. But it is in this sharing that the magic lies. For the photographer can aspire to the broader definition of abstract – existing in thought or as an idea but not having a physical or concrete existence – abstract concepts such as love or beauty.
I can be experiencing an emotion, thought or idea and through my visual design choices I can attempt to convey my experience. For me the true magic lies in the gaps between our common cultural interpretations of visual design elements, the personal experience I am living through and the viewer’s current lived experience. It is this interaction, which is part in my control and choice and part completely free of my interference that calls to me.
So there I am with my shiny new camera. It is unimportant. What is present is my experience in that moment and what I can see in front of me. These four photos represent that experience. They are the interaction between the external reality and my internal resonance of that reality. What I was feeling and what you feel (once you have got beyond the need to try and identify what the objects are!) is the magic between us.