ME – Multiple Exposure
ME or Multiple exposure is as old as photography. Back in film days it often happened by accident when you forgot to wind on after taking a shot, then the second image would be superimposed on the first. It is also something that I have experimented with in the past using a Holga camera – a medium format film toy camera. The image below was created in the cold Winter of 2011, and was created from three consecutive exposures.
When I owned a Canon 5D II I had hoped to be able to create digital versions of the technique, but Canon didn’t introduce the feature until the mark III was released.
This week I have been editing my Mindful Photography book (again) and rediscovered the art of Chris Friel a creative genius with ME and ICM (Intentional Camera Movement). He uses a Canon 5D III and is self-effacing about his intriguing creations.
It was reading about his technical choices that reminded me that my Fuji X-T2 might have the facility to create ME photos. I checked and it does, although there are limitations with its use. Only two images can be combined in camera, whereas the Canons can combine many more.
I also noted in Chris’s generous advice that he uses many extreme settings in camera and tries to avoid doing much post editing work, only doing minor adjustments in Lightroom. This appealed to me. I like to work as much in camera as possible and it seemed to me that ME had the possibility of creating work that was an emotional response to found scenes, rather than documenting them.
A Mindful Approach
Of course being a photographer who is practicing living a mindful life I have started to consider a mindful approach to experimenting with ME and have come up with the following 7 steps. They are equally applicable to any genre or photographic technique.
- Read and study the skill. This is a great start.
- Understand the possibilities and limitations of your camera.
- Go to a location with possibility, stay in one place and practice.
- After each photo review what you have done and consider changes.
- Be compassionate with your creations. They are signposts to your path forwards.
- Share your art and get feedback.
- Keep practicing, refining, reading, studying, comparing and distilling what you create. Your aim is to discover what you like. Your photos only need to please you. Feedback from others is interesting and potentially helpful, but ultimately if you like the photo then that is enough.
In the spirit of being a teacher who practices what he preaches, I have started practicing. The photo below is my favourite from a set I took at twilight last night on Swansea Bay. I invite your comments! The extreme colours were created by playing with the white balance, the highlight tones, shadow tones and colour settings in camera.
Chris Friel recommends NOT combining ICM with ME. I get that, but I decided to experiment with it anyway. Hence the rather soft defocused nature of the tree. I believe there is possibility here and will continue to practice.
It struck me today, whilst out walking at the beautiful Langland bay that a ME selfie would make the perfect header image. The me in ME! Here it is below in all its glory. I will continue to practice and refine how and why I use this technique. I am interested in its ability to convey emotion experienced through visual elements of design and the blurring of what we consider reality.
I often combine camera movements with still shots in multiple exposures. I have found that I have created some lovely shots with this combination.
I agree, contrary to some advice!