I have written in the past about how imposing limitations can fire up your creative juices, but simplifying your camera set up can also allow a greater connection with the visual feast in front of you. Let me explain.
I believe that the greatest area for development for a photographer is in our seeing. This is at the heart of Mindful Photography. There are two primary aspects to this seeing.
The first is using what we see as our anchor; rather how a meditator uses the breath. As a photographer we can always return to what we are seeing when we notice that our mind has drifted off into thoughts, or we experience emotions, whilst photographing.
This thinking may be do with future events or past happenings. Perhaps a more common thread would be to experience judgmental thoughts about our photography. These can often be related to your photographic fears: fear of making a mistake, missing the shot, our photos not being good enough, a potential subject saying no and so on. With the practice of using our seeing as an anchor we can notice the thought and return to what we can see. Focusing our eyes upon the visual elements and what is in front of us.
This relatively simple instruction is of course difficult to maintain. Our thoughts are tenacious, particularly those that have fear as their root. But the practice of returning to an anchor can provide a little space for some of those thoughts to dissipate.
Seeing like a camera
The second aspect of our seeing development is in the process of learning to see like a camera. Slowly over our developing photography practice we begin to learn how what we can see can be replicated, and also completely different, from how a camera sees.
This area of knowledge can be studied and practiced and encompasses aspects that include: lens choice, point of view, our camera’s sensor size, framing, dynamic range, shooting in raw, direction of light and more. Each area of knowledge can be investigated and practiced to develop our understanding of the similarities and differences between our eyes’ and the camera’s light collecting abilities.
Simplifying your camera set up
Choosing to set up your camera in a simple way – that you are confident in using – allows you to concentrate on these two areas of practice: the seeing anchor and how a camera sees.
When considering which of the following set ups to use, one should choose a set up that feels instinctive. The priority is to practice the seeing. There is a time to practice and become more confident in using the manual features of a camera and there is a time when simplifying those choices allows you to practice the seeing. These are your set up choices.
- Auto – camera makes all the decisions
- Program mode (P) – camera chooses aperture and shutter speed but you can override those choices. Camera chooses ISO
- Aperture Priority (Av or A ) – you choose aperture, the camera chooses shutter speed. You or the camera can choose ISO
- Shutter Priority (Tv or S) – you choose shutter speed, the camera chooses aperture. You or the camera can choose ISO
- Manual – all the decisions are taken by you
When practicing the seeing – mindful photography – I usually use aperture priority. This is a setting that I can use and adjust without even taking my camera away from my eye, almost intuitively. That is the kind of automated action you want to be looking for. So choose a setup that allows you to feel that way about the photographic process. Then you can pay attention to what you see, not having to stop to think about technical choices. A more intuitive reaction to what is in front of you becomes possible, and that has the potential to transform your photos from good to great.
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